 | Alan Gallay - History - 1994 - 440 pages
...mixtures of red and white, the expressions of every passion by greater or less suffusions of color in the one, preferable to that eternal monotony, which...countenances, that immovable veil of black which covers the emotions of the other race? Add to these, flowing hair, a more elegant symmetry of form, their... | |
 | Veronica Kelly, Dorothea von Mücke - Literary Criticism - 1994 - 364 pages
...the fine mixtures of red and white, the expressions of every passion by greater or less suffusions of colour in the one preferable to that eternal monotony, which reigns in the countenances, that immoveable veil of black which covers all the emotions of the other race?10 This almost uncanny displacement... | |
 | Priscilla Wald - History - 1995 - 418 pages
...the minister himself. In an earlier historical prototype for the Veil, Thomas Jefferson's "immoveable veil of black which covers all the emotions of the other race," blackness is itself a veil and marks the members of "the other race" intrinsically as outcasts from... | |
 | Roy L. BROOKS, Roy L Brooks - Law - 2009 - 364 pages
...the fine mixtures of red and white, the expressions of every passion by greater or lesser suffusions of colour in the one, preferable to that eternal monotony, which reigns in the countenances, that immoveable veil of black which covers all the emotions of the other race? Add to these, flowing hair,... | |
 | James Newton Poling - Social Science - 1996 - 246 pages
...the fine mixtures of red and white, the expressions of every passion by greater or less suffusions of colour in the one, preferable to that eternal monotony, which reigns in the countenances, that immoveable veil of black which covers all the emotions of the other race? Add to these, flowing hair,... | |
 | Kwame Anthony Appiah, Amy Gutmann - Philosophy - 1998 - 200 pages
...the fine mixtures of red and white, the expressions of every passion by greater or less suffusions of colour in the one, preferable to that eternal monotony, which reigns in the countenances, that immoveable veil of black which covers all the emotions of the other race? Add to these, flowing hair,... | |
 | Richard Delgado, Jean Stefancic - Social Science - 1997 - 710 pages
...mixtures of red and white, the expressions of every passion by greater or less suffusions of color in the one, preferable to that eternal monotony, which...black which covers all the emotions of the other race? Add to these, flowing hair, a more elegant symmetry of form, their own judgment in favor of the whites,... | |
 | Edward L. Ayers, Bradley C. Mittendorf - American literature - 1997 - 608 pages
...mixtures of red and white, the expressions of every passion by greater or less suffusions of color in the one, preferable to that eternal monotony, which...countenances, that immovable veil of black which covers the emotions of the other race? Add to these, flowing hair, a more elegant symmetry of form, their... | |
 | Anthony E. Cook - Law - 1997 - 270 pages
...the fine mixtures of red and white, the expressions of every passion by greater or less suffusions of colour in the one, preferable to that eternal monotony, which reigns in the countenances, that immoveable veil of black which covers all the emotions of the other race? Add to these, flowing hair,... | |
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And is this difference of no importance? Is it not the foundation of a greater or less share of beauty in the two races? Are not the fine mixtures of red and white... 
