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" Tasso, Mazzoni, and others, teaches what the laws are of a true epic poem, what of a dramatic, what of a lyric, what decorum is, which is the grand masterpiece to observe. "
The British essayists; with prefaces by A. Chalmers - Page 44
by British essayists - 1802
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Modern Language Notes, Volume 5

Philology, Modern - 1890 - 276 pages
...Poetics, in Horace, and the Italian commentaries of Castelvetro, Tasso, Mazzoni, and others, teaches what the laws are of a true epic poem, what of a dramatic,...decorum is, which is the grand masterpiece to observe." It will be noted (i) that MILTON says "passionate" not "impassioned"; (2) that the three qualities...
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Aristotle on the Art of Poetry: A Lecture with Two Appendices

Arthur Octavius Prickard - Aesthetics - 1891 - 196 pages
...Poetics, in Horace, and the Italian commentaries of Castelvetro, Tasso, Mazzoni, and others, teaches what the laws are of a true Epic Poem, what of a Dramatic,...Decorum is, which is the grand masterpiece to observe. them what religious, what glorious and magnificent use might be made of Poetry both in divine and human...
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Criticisms on Paradise Lost

Joseph Addison - 1892 - 234 pages
...Poetics, in Horace, and the Italian commentaries of Castelvetro, Tasso, Mazzoni, and others, teaches what the laws are of a true epic poem, what of a dramatic,...soon perceive what despicable creatures our common rimers and playwriters be, and show them what religious, what glorious and magnificent use might be...
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Criticisms on Paradise Lost

Joseph Addison - 1892 - 236 pages
...Poetics, in Horace, and the Italian commentaries of Castelvetro, Tasso, Mazzoni, and others, teaches what the laws are of a true epic poem, what of a dramatic,...of a lyric ; what decorum : is, which is the grand master1 Meaning by ' decorum,' according to Lowell in his essay on Pope, ' a higher or organic unity.'...
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Criticisms on Paradise Lost

Joseph Addison - 1892 - 234 pages
...Poetics, in Horace, and the Italian commentaries of Castelvetro, Tasso, Mazzoni, and others, teaches what the laws are of a true epic poem, what of a dramatic, what of a lyric; what decorum l is, which is the grand master1 Meaning by ' decorum,' according to Lowell in his essay on Pope, '...
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Criticisms on Paradise Lost

Joseph Addison - 1892 - 238 pages
...Poetics, in Horace, and the Italian commentaries of Castelvetro, Tasso, Mazzoni, and others, teaches what the laws are of a true epic poem, what of a dramatic, what of a lyric ; what decorum1 is, which is the grand master1 Meaning by 'decorum,' according to Lowell in his essay on Pope,...
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The Prelude to Poetry: The English Poets in the Defence and ..., Volume 10

Ernest Rhys - English poetry - 1897 - 250 pages
...Poetics, in Horace, and the Italian Commentaries of Castelvetro, Tasso, Mazzoni, and others, teaches what the laws are of a true Epic Poem, what of a Dramatic,...soon perceive what despicable creatures our common Rimers and Play-writers be : and shew them what religious, what glorious and magnificent use might...
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From Milton to Tennyson: Masterpieces of English Poetry

Louis Du Pont Syle - English poetry - 1894 - 488 pages
...grammar ; but that sublime art which in Aristotle's Poetics, in Horace . . . and others, teaches us what the laws are of a true epic poem, what of a dramatic,...decorum is, which is the grand masterpiece to observe. — . Milton ; On Education. III. A Poem is that species of composition, which is opposed to works...
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Tractate of Education

John Milton - Education - 1895 - 120 pages
...Poetics, in Horace, and the Italian commentaries of 25 Castelvetro, Tasso, Mazzoni, and others, teaches what the laws are of a true Epic Poem, what of a Dramatic,...make them soon perceive what despicable creatures our 5 common rimers and play-writers be, and shew them, what religious, what glorious and magnificent use...
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Milton's Paradise Lost: Books I and II

John Milton - 1896 - 226 pages
...Poetics, in Horace, and the Italian commentaries of Castelvetro, Tasso, Mazzoni, and others, teaches what the laws are of a true epic poem, what of a dramatic,...soon perceive what despicable creatures our common rimers and play-writers be, and show them what religious, what glorious aad magnificent use might be...
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