DURING the first year that Mr. Wordsworth and I were neighbours, our conversations turned frequently on the two cardinal points of poetry, the power of exciting the sympathy of the reader by a faithful adherence to the truth of nature, and the power of... Blackwood's Magazine - Page 5351834Full view - About this book
| William Shakespeare - 1851 - 458 pages
...frequently on the two cardinal points of poetry — the power of exciting the sympathy of the reader by a faithful adherence to the truth of nature, and...of giving the interest of novelty by the modifying colors of imagination." In Coleridge's " Literary Remains," the Venus and Adonis is cited as furnishing... | |
| William Shakespeare - 1851 - 624 pages
...frequently on the two cardinal points of poetry — the power of exciting the sympathy of the reader by a faithful adherence to the truth of nature, and...novelty by the modifying colours of imagination." In Coleridge's ' Literary Remains' the 'Venus and Adonis' is cited as furnishing a signal example of... | |
| Samuel Taylor Coleridge - 1853 - 764 pages
...turned frequently on the two cardinal points of poetry, the power of exciting the sympathy of the reader by a faithful adherence to the truth of nature, and...of giving the interest of novelty by the modifying colors of imagination. The sudden charm which accidents of light and shade, which moonlight or sunset... | |
| William Shakespeare - 1856 - 424 pages
...frequently on the two cardinal points of poetry—the power of exciting the sympathy of the reader by a faithful adherence to the truth of nature, and...of novelty by the modifying colours of imagination/ ' In Coleridge's ' Literary Remains ' the ' Venus and Adonis ' is cited as furnishing a signal example... | |
| Edwin Paxton Hood - 1856 - 590 pages
...turned frequently on the two cardinal points of poetry, the power of exciting the interest of the reader by a faithful adherence to the truth of nature, and...the power of giving the interest of novelty by the colours of imagination ; the sudden charm which accidents of light and shade, which moonlight or sunset... | |
| John Wilson - 1857 - 448 pages
...bounded only by the soul's desires — and what may bound the soul's desires ? Not the night of baffled darkness, that lies, in infinitude, behind all the...and familiar landscape, appeared to represent the practicability of combining both. These are the poetry of nature. The thought suggested itself (to... | |
| John Wilson - 1857 - 466 pages
...bounded only by the soul's desires — and what may bound the soul's desires ? Not the night of baffled darkness, that lies, in infinitude, behind all the...and familiar landscape, appeared to represent the practicability of combining both. These are the poetry of nature. The thought suggested itself (to... | |
| John Wilson - 1857 - 454 pages
...bounded only by the soul's desires — and what may bound the soul's desires ? Not the night of baffled darkness, that lies, in infinitude, behind all the...he beautifully says, — " which accident of light an! shade, while moonlight or sunset diffused over a true anu familiar landscape, appeared to represent... | |
| Henry Reed - English poetry - 1857 - 424 pages
...describes them, on the two cardinal points of poetry, — the power of exciting the sympathy of a reader by a faithful adherence to the truth of nature, and...of giving the interest of novelty by the modifying colour of imagination. The sudden charm which accidents of light and shade, which moonlight or sunset... | |
| 1856 - 368 pages
...frequently on the two cardinal points of poetry,—the power of exciting the sympathy of the reader by a faithful adherence to the truth of nature, and...modifying colours of imagination. The sudden charm which accidents of light and shade, which moonlight or sunset diffused over a known and familiar landscape,... | |
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