 | Laurence Coupe - Literary Criticism - 2000 - 346 pages
...the individual, with the representative; the sense of novelty and freshness, with old and familiar objects; a more than usual state of emotion, with more than usual order; judgement ever awake and steady self-possession, with enthusiasm and feeling profound or vehement;... | |
 | Joseph C. Sitterson - Language Arts & Disciplines - 2000 - 228 pages
...imagination "reveals itself in the balance or reconciliation of opposite or discordant qualities ... a more than usual state of emotion, with more than usual order; judgement ever awake and steady self-possession, with enthusiasm and feeling profound or vehement"... | |
 | Colin Duriez - Literary Criticism - 2001 - 316 pages
...image; the individual with the representative; the sense of novelty and freshness with old and familiar objects; a more than usual state of emotion with more than usual order; judgement ever awake and steady self-possession with enthusiasm and feeling profound or vehement; and... | |
 | Johannes Willem Bertens - Criticism - 2001 - 276 pages
...the individual, with the representative; the sense of novelty and freshness, with old and familiar objects; a more than usual state of emotion, with more than usual order'. (Brooks [1942] 1972: 300-301) In this emphasis on paradox - a statement containing contradictory aspects... | |
 | Gerhard Wagner - Literature - 2001 - 290 pages
...the individual. with the representative: the sense of novelty and freshness. with old and familiar objects: a more than usual state of emotion. with more than usual orden judgement ever awake and steady self-possession. with enthusiasm and feeling profound or vehement... | |
 | Rob Pope - Language Arts & Disciplines - 2002 - 448 pages
...the individual, with the representative; the sense of novelty and freshness, with old and familiar objects; a more than usual state of emotion, with more than usual order . . .'. Many things can be said about Coleridge's definition of imagination. One is that it was much... | |
 | Alexander Leggatt - Literary Criticism - 2002 - 260 pages
...by Rosalind's knowing but still yearning double entendres. Here, if anywhere in Shakespeare, we find "a more than usual state of emotion, with more than usual order" in which Coleridge sums up poetic imagination. iS The antiphonal utterances impose order on emotional... | |
 | Sanja Sostaric - Literary Criticism - 2003 - 364 pages
...the individual, with the representative; the sense of novelty and freshness, with old and familiar objects; a more than usual state of emotion, with more than usual order; judgement ever awake and steady selfpossession, with enthusiasm and feeling profound or vehement; and... | |
 | Leonora Leet - Body, Mind & Spirit - 2003 - 388 pages
...the individual, with the representative; the sense of novelty and freshness, with old and familiar objects; a more than usual state of emotion, with more than usual order . . . 34 The higher imagination of which Coleridge speaks is a "synthetic and magical power." It is... | |
 | Leonard Diepeveen - Literary Criticism - 2003 - 338 pages
...qualities essential to modern difficulty: "the sense of novelty and freshness, with old and familiar objects; ... a more than usual state of emotion, with more than usual order; . . . [and] judgement ever awake and steady self-possession, with enthusiasm and feeling profound and... | |
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... reveals itself in the balance or reconciliation of opposite or discordant qualities: of sameness, with difference; of the general, with the concrete; the idea, with the image; the individual, with the representative; the sense of novelty and freshness,... 
