Notes and Lectures Upon Shakespeare and Some of the Old Poets and Dramatists and Other Literary Remains of S.T. Coleridge, Volume 1W. Pickering, 1849 - Literature |
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Page 129
... ; ' for ' rage ' is a mere repetition of wrath . ' Cym . O disloyal thing , That should'st repair my youth , thou heapest A year's age on me ! How is it that the commentators take no notice of 1 K NOTES ON CYMBELINE . 129.
... ; ' for ' rage ' is a mere repetition of wrath . ' Cym . O disloyal thing , That should'st repair my youth , thou heapest A year's age on me ! How is it that the commentators take no notice of 1 K NOTES ON CYMBELINE . 129.
Page 130
... Dr. Farmer's umber'd , ' which I had proposed before I ever heard of its having been already offered by him but I do not adopt his interpretation of the 6 word , which I think is not derived from umbra 130 NOTES ON CYMBELINE .
... Dr. Farmer's umber'd , ' which I had proposed before I ever heard of its having been already offered by him but I do not adopt his interpretation of the 6 word , which I think is not derived from umbra 130 NOTES ON CYMBELINE .
Page 131
... the precious story that he left Stratford for deer - stealing , and that he lived by holding gentlemen's horses at the doors of the theatre , and other trash of that arch - gossip NOTES ON CYMBELINE . 131 Titus Andronicus.
... the precious story that he left Stratford for deer - stealing , and that he lived by holding gentlemen's horses at the doors of the theatre , and other trash of that arch - gossip NOTES ON CYMBELINE . 131 Titus Andronicus.
Page 133
... Cymbeline is a congener with Pericles , and distinguished from Lear by not having any declared prominent object . But where shall we class the Timon of Athens ? Perhaps immedi- ately below Lear . It is a Lear of the satirical drama ; a ...
... Cymbeline is a congener with Pericles , and distinguished from Lear by not having any declared prominent object . But where shall we class the Timon of Athens ? Perhaps immedi- ately below Lear . It is a Lear of the satirical drama ; a ...
Page 167
... Mac- beth as in Richard , but in the relation of the his- tory to the plot . In the purely historical plays , the history forms the plot ; in the mixed , it directs it ; in the rest , as Macbeth , Hamlet , Cymbeline HISTORICAL PLAYS . 167 ·
... Mac- beth as in Richard , but in the relation of the his- tory to the plot . In the purely historical plays , the history forms the plot ; in the mixed , it directs it ; in the rest , as Macbeth , Hamlet , Cymbeline HISTORICAL PLAYS . 167 ·
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admirable appear audience Beaumont and Fletcher beauty Brutus Cæsar cause character Coleridge comedy Coriolanus Cymbeline drama effect excellent excitement exquisite fancy father fear feelings fool genius give Greek habits Hamlet harmony hath heart heaven Henry historical honour human Iago Iago's images imagination imitation intellect Jonson judgment Julius Cæsar king language Lear Lear's Lect lectures lord Love's Labour's Lost Macbeth means ment metre mind moral nature noble object observe Othello passage passion perhaps philosopher play poem poet poetic poetry Polonius present racters remark Richard Richard III Romeo and Juliet scene Schlegel seems sense Shak Shakspeare Shakspeare never Shakspeare's Shakspearian speak speare speech spirit supposed sweet Tempest Theobald Theobald's note thing thou thought tion Titus Andronicus tragedy Troilus and Cressida true truth Twelfth Night unity Warburton whilst whole words writer
Popular passages
Page 166 - This royal throne of kings, this scepter'd isle, This earth of majesty, this seat of Mars, This other Eden, demi-paradise, This fortress built by Nature for herself Against infection and the hand of war, This happy breed of men, this little world, This precious stone set in the silver sea...
Page 157 - tis not so deep as a well, nor so wide as a church door ; but 'tis enough, 'twill serve : ask for me to-morrow, and you shall find me a grave man. I am peppered, I warrant, for this world. A plague o...
Page 246 - Which would be worn now in their newest gloss, Not cast aside so soon. Lady M. Was the hope drunk Wherein you dress'd yourself? hath it slept since, And wakes it now, to look so green and pale At what it did so freely ? From this time Such I account thy love. Art thou...
Page 109 - Subtle as sphinx ; as sweet, and musical, As bright Apollo's lute, strung with his hair; And, when love speaks, the voice of all the gods Makes heaven drowsy with the harmony.
Page 112 - A jest's prosperity lies in the ear Of him that hears it, never in the tongue Of him that makes it...
Page 54 - Lo, here the gentle lark, weary of rest, From his moist cabinet mounts up on high, And wakes the morning, from whose silver breast The sun ariseth in his majesty; Who doth the world so gloriously behold, That cedar-tops and hills seem burnish'd gold.
Page 196 - This is the excellent foppery of the world, that, when we are sick in fortune, — often the surfeit of our own behaviour, — we make guilty of our disasters the sun, the moon, and the stars...
Page 248 - It will have blood, they say ; blood will have blood : Stones have been known to move, and trees to speak ; Augurs, and understood relations, have By magot-pies, and choughs, and rooks, brought forth The secret'st man of blood.
Page 10 - ... reveals itself in the balance or reconciliation of opposite or discordant qualities: of sameness, with difference; of the general, with the concrete; the idea, with the image; the individual, with the representative; the sense of novelty and freshness, with old and familiar objects; a more than usual state of emotion, with more than usual order...
Page 167 - This England never did, (nor never shall,) Lie at the proud foot of a conqueror, But when it first did help to wound itself. Now these her princes are come home again, Come the three corners of the world in arms, And we shall shock them : Nought shall make us rue, If England to itself do rest but true.