Reading, Writing, and Romanticism: The Anxiety of ReceptionReading, Writing, and Romanticism bridges a perceived gulf between materialist and idealist approaches to the reader. Informed by an historical awareness of Romantic hermeneutics and its later developments (as well as by an understanding of the circumstances conditioning the production and consumption of literature in this period), the book explores how readers are imagined, addressed, figured and theorised in Romantic poetry and criticism (1790-1830). Models of canon-formation, intertextuality and reader-response are examined alongside the existence of reading-coteries, the social practices of reading, and reforms in copyright. Consideration is given to the philosophical and ideological influences which bear upon the status of reading at this time, as well as to the educational theories and practices which underpin reading-habits. Non-canonical writers are included, and special attention is given to the emergence of women's poetry - its repercussions for the poetics of reception. |
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Contents
THE SENSE OF AN AUDIENCE | 3 |
Authorship and the Public Sphere | 13 |
COLERIDGE | 49 |
Reading and Enchantment | 75 |
The Rhetoric of Mystery | 85 |
WORDSWORTH | 91 |
ANNA BARBAULD | 134 |
COMPETITION AND COLLABORATION | 173 |
FEMINIZING THE POETICS OF RECEPTION | 224 |
Barbauld and Jones | 248 |
DEFENCES | 263 |
REPETITION | 298 |
Gender and the Hierarchy of Genres | 322 |
AN AMBIGUOUS | 333 |
372 | |
391 | |
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activity addressed allowed anxiety appears argued associated attempt attention audience Barbauld become claims Coleridge Coleridge's concern connection contemporary continuity conversation creative criticism culture defence described discourse discussion early Education effect essay established fear feelings female figure friends genius give given hand Hazlitt hermeneutic human ideal ideas identification identity imagination implications important individual John kind language later Lectures less letter lines literary literature living London means Milton mind nature novels observed originality Oxford past periodical poem poet poet's poetic poetry political popular position possible practice Preface present produced prose published question quoted readers reading reception reflective relation respect response reviewers rhetoric role Romantic seen sense speaking spirit status style suggests sympathy taste theory thought tion tradition turn understanding University Press voice woman women Wordsworth writers