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INTRODUCTORY REMARKS.

THE seventh book is nothing but delight;—all beauty, and hope, and smiles: it has little of the awful sublimity of the preceding books; and it has much less of that grand invention, which sometimes astonishes with a painful emotion, but which is the first power of a poet: at the same time, there is poetical invention in filling up the details.

In every description Milton has seized the most picturesque feature, and found the most expressive and poetical words for it. On the mirror of his mind all creation was delineated in the clearest and most brilliant forms and colours; and he has reflected them with such harmony and enchantment of language, as has never been equalled.

The globe, with all its rich contents, thus lies displayed before us, like a landscape under the freshness of the dewy light of the opening morning, when the shadows of night first fly away.

Here is to be found every thing which in descriptive poetry has the greatest spell: all majesty or grace of forms, animate or inanimate; all variety of mountains, and valleys, and forests, and plains, and seas, and lakes, and rivers; the vicissitudes of suns and of darkness; the flame and the snow; the murmur of the breeze; the roar of the tempest.

One great business of poetry is to teach men to see, and feel, and think upon the beauties of the creation, and to have gratitude and devotion to their Maker: this can best be effected by a poet's eye and a poet's tongue. Poets can present things in lights which can warm the coldest hearts : he who can create himself, can best represent what is already created.

ARGUMENT OF BOOK VII.

RAPHAEL, at the request of Adam, relates how and wherefore this world was first created; that God, after the expelling of Satan and his angels out of heaven, declared his pleasure to create another world, and other creatures to dwell therein; sends his Son with glory, and attendance of angels, to perform the work of creation in six days; the angels celebrate with hymns the performance thereof, and his reascension into heaven.

PARADISE LOST.

BOOK VII.

DESCEND from heaven,' Urania,' by that name If rightly thou art call'd, whose voice divine Following, above the Olympian hill I soar, Above the flight of Pegasean wing.

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The meaning, not the name, I call: for thou
Nor of the Muses nine, nor on the top
Of old Olympus dwell'st; but, heavenly-born,
Before the hills appear'd, or fountain flow'd,
Thou with Eternal Wisdom didst converse,
Wisdom thy sister, and with her didst play
In presence of the Almighty Father, pleased
With thy celestial song. Up-led by thee,
Into the heaven of heavens I have presumed,
An earthly guest, and drawn empyreal air,
Thy tempering: with like safety guided down, 15
Return me to my native element;

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