A Practical and Familiar View of the Science of Physiognomy |
From inside the book
Results 1-5 of 26
Page 68
... upper lips . Length of form and face is generally attended by well - drawn fleshy lips . › Take two , three , or four shades of men re- markable for understanding ; join the features so artificially , that no defect shall appear , as ...
... upper lips . Length of form and face is generally attended by well - drawn fleshy lips . › Take two , three , or four shades of men re- markable for understanding ; join the features so artificially , that no defect shall appear , as ...
Page 79
... upper . I am free to admit , that there is very fre- quently a difficulty attending a decisive and determinate judgment , that such and such fea- tures compose the countenance of any given in- dividual : that , therefore , he is morose ...
... upper . I am free to admit , that there is very fre- quently a difficulty attending a decisive and determinate judgment , that such and such fea- tures compose the countenance of any given in- dividual : that , therefore , he is morose ...
Page 122
... upper part , very retreating foreheads , with arched noses , and a long under part of the countenance , continu- ally hover over the depths of folly . ( See PLATE II . Fig . 3. ) Every forehead which above projects , and below sinks in ...
... upper part , very retreating foreheads , with arched noses , and a long under part of the countenance , continu- ally hover over the depths of folly . ( See PLATE II . Fig . 3. ) Every forehead which above projects , and below sinks in ...
Page 122
... upper part , and not commonly very retreating , have always an inseparable three - fold character : -The glance of genius , with little of a cool , analyzing understanding- pertinacity with indecision - and coldness with impetuosity ...
... upper part , and not commonly very retreating , have always an inseparable three - fold character : -The glance of genius , with little of a cool , analyzing understanding- pertinacity with indecision - and coldness with impetuosity ...
Page 122
... upper part , and not commonly very retreating , have always an inseparable three - fold character : -The glance of genius , with little of a cool , analyzing understanding- pertinacity with indecision - and coldness with impetuosity ...
... upper part , and not commonly very retreating , have always an inseparable three - fold character : -The glance of genius , with little of a cool , analyzing understanding- pertinacity with indecision - and coldness with impetuosity ...
Other editions - View all
A Practical and Familiar View of the Science of Physiognomy (Classic Reprint) Thomas Cooke No preview available - 2018 |
Common terms and phrases
anatomy animal appear arched beauty body brutes Camper's character characteristics chin choleric connection Cooke coun degree discernment disposition doctrine editor effeminacy Elgin marbles emotions expression eye-bone eye-brows eye-lids facial angle facial line fact favour of Physiognomy feelings forehead frequently Frontal vein Galileo Galilei genius habits head heart human countenance human face hyæna indications inductive philosophy influence instance intellectual jaws judgment knowledge Lavater Lavater's lineaments lips Lithographic Institution look malignity mankind marked ment mental mind moral mouth nations nature negro never nomical nomy nose nostrils object oblique observations opinion organs passion Pathognomy peculiar perfect perpendicular persons philosophical phlegmatic Physiog PLATE portraits possessed powers principles proportion racter reader remarks respect sanguine science of Physiognomy signs siognomy sionomist skull soul storm of passion teeth temperament thing tion traits true truth weakness whole wisdom wrinkles wrinkless Zopyrus
Popular passages
Page 209 - In peace, there's nothing so becomes a man, As modest stillness, and humility : But when the blast of war blows in our ears, Then imitate the action of the tiger ; Stiffen the sinews, summon up the blood, Disguise fair nature with hard-favour'd rage: Then lend the eye a terrible aspect ; Let it pry through the portage of the head...
Page 209 - Swill'd with the wild and wasteful ocean. Now set the teeth and stretch the nostril wide; Hold hard the breath, and bend up every spirit To his full height. On, on, you noblest English...
Page 217 - O fairest of creation, last and best Of all God's works ! creature, in whom excell'd Whatever can to sight or thought be form'd, Holy, divine, good, amiable, or sweet!
Page 209 - Disguise fair nature with hard-favour'd rage: Then lend the eye a terrible aspect; Let it pry through the portage of the head. Like the brass cannon; let the brow o'erwhelm it. As fearfully as doth a galled rock O'erhang and jutty his confounded base, Swilled with the wild and wasteful ocean.
Page 206 - Archangel: but his face Deep scars of thunder had intrenched, and care Sat on his faded cheek, but under brows Of dauntless courage, and considerate* pride Waiting revenge. Cruel his eye, but cast Signs of remorse and passion...
Page 126 - Canst thou make him afraid as a grasshopper? »the glory of his nostrils is terrible. He paweth in the valley, and rejoiceth in his strength: he goeth on to meet the armed men. He mocketh at fear, and is not affrighted ; neither turneth he back from the sword. The quiver rattleth against him, the glittering spear and the shield. He swalloweth the ground with fierceness and rage : neither believeth he that it is the sound of the trumpet. He saith among the trumpets, "Ha, ha!" and he smelleth the battle...
Page 126 - Hast thou given the horse strength ? Hast thou clothed his neck with thunder ? Canst thou make him afraid as a grasshopper ? The glory of his nostrils is terrible. He paweth in the valley, and rejoiceth in his strength : He goeth on to meet the armed men. He mocketh at fear, and is not affrighted ; Neither turneth he back from the sword.
Page 224 - The poet's bays and critic's ivy grow : Cremona now shall ever boast thy name, As next in place to Mantua, next in fame...
Page 228 - Lives through all life, extends through all extent, Spreads undivided, operates unspent ; Breathes in our soul, informs our mortal part, As full, as perfect in a hair as heart ; As full, as perfect in vile man that mourns, As the rapt seraph that adores and burns. To Him no high, no low, no great, no small ; He fills, He bounds, connects and equals all.
Page 217 - Grace was in all her steps. Heaven in her eye, In every gesture dignity and love.