On Brokeback Mountain: Meditations about Masculinity, Fear, and Love in the Story and the FilmOn Brokeback Mountain: Meditations About Masculinity, Fear, and Love in the Story and the Film provides a close, detailed, comparative discussion of the short story and the film in relation to ways of understanding masculinity and love between men in American culture. It uses analytical ideas from gay and lesbian/queer studies, American studies, social history, film history, and literary history, but avoids specialized theoretical language in order to be accessible to the many people interested in the story and the film. Original, interdisciplinary, and engaging, On Brokeback Mountain is intended to be not only useful to academic specialists but also accessible and readable for any interested, educated reader. The two versions of Brokeback Mountain are significant for taking readers and audiences inside the perspectives of men who love men, showing what physical and emotional passion, and hostility toward that passion, may be like for them. The story and the film help in understanding the many men who love men and who don't fit stereotypes of gay men or participate in the gay/queer worlds of urban/academic communities, especially men in rural areas and in working class contexts. This book examines the presentation of friendship, sex, and love between men in Brokeback Mountain, as well as the depiction of homophobia and its effects on men who love men and their families. It relates the story and the film to the literary tradition of the homoerotic pastoral, the literary/movie tradition of the Western, and the tradition of the tragic romantic love story. |
From inside the book
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Page xxi
... physical and emotional attraction , it often creates intense fear of accepting their own sexual orientations , and so can pose a major ob- stacle to developing relationships that are physically and emotionally appro- priate and ...
... physical and emotional attraction , it often creates intense fear of accepting their own sexual orientations , and so can pose a major ob- stacle to developing relationships that are physically and emotionally appro- priate and ...
Page xxii
... physical intimacy between people of the same sex from intimacy deemed un- acceptable were drawn differently than they came to be in the twentieth cen- tury . Today , some of those studying sexuality and gender use the words ho- mosocial ...
... physical intimacy between people of the same sex from intimacy deemed un- acceptable were drawn differently than they came to be in the twentieth cen- tury . Today , some of those studying sexuality and gender use the words ho- mosocial ...
Page xxiii
... physical and emo- tional intimacy between men . Those who've studied the cowboys involved in the cattle business cite considerable evidence of intimate male relationships in the later nineteenth century , though the degree to which ...
... physical and emo- tional intimacy between men . Those who've studied the cowboys involved in the cattle business cite considerable evidence of intimate male relationships in the later nineteenth century , though the degree to which ...
Page xxv
... physical violence . Visibility could be very dangerous.34 As scholars who've studied same - sex relationships among rural men ob- serve , in many instances their construction of their experience should be de- scribed using different ...
... physical violence . Visibility could be very dangerous.34 As scholars who've studied same - sex relationships among rural men ob- serve , in many instances their construction of their experience should be de- scribed using different ...
Page xxviii
... physical and emotional intimacy with people of both sexes , and for whom the word bisexual accurately describes their ex- perience of their sexual orientation . In my view , given the evidence of the text and the movie , if men with the ...
... physical and emotional intimacy with people of both sexes , and for whom the word bisexual accurately describes their ex- perience of their sexual orientation . In my view , given the evidence of the text and the movie , if men with the ...
Contents
Reactions To Brokeback Mountain | xlv |
A Companion Where None Had Been Expected Friendship | 1 |
Guns Goin Off Sex | 41 |
The Rushing Cold of the Mountain Nature | 73 |
We Do That in the Wrong Place Well Be Dead Hatred and Fear | 135 |
Separate and Difficult Lives Love | 177 |
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accept American culture Ang Lee Annie Proulx attraction Brokeback Mountain challenge characters constructed continue contrast cowboy depiction desire Diana Ossana discussion dominant Ennis and Alma Ennis and Jack Ennis's episode especially experience expression father fear feel film filmmakers friendship Gay and Lesbian Gyllenhaal hatred Heath Ledger heterosexual homoerotic homophobia homophobic homosexuality homosocial hostility ideal intense intimacy involved Jack and Ennis Jack's Jake Gyllenhaal July 29 landscape Leaves of Grass Ledger Lesbian lives look Lureen majority male love male-male man-loving marriage masculine members of sexual movie narrative Ossana particularly pass for straight pastoral physical poem presents Press queer ranch reject rodeo romantic love rural same-sex scene Screenplay screenwriters sense sexual and emotional sexual minorities sexual orientation sexuality and gender sexually different share shirts shows social society stereotypes story suggests summer there's tion traditional Transgender understand versions of Brokeback violence West Western Whitman who's women York