On Brokeback Mountain: Meditations about Masculinity, Fear, and Love in the Story and the FilmOn Brokeback Mountain: Meditations About Masculinity, Fear, and Love in the Story and the Film provides a close, detailed, comparative discussion of the short story and the film in relation to ways of understanding masculinity and love between men in American culture. It uses analytical ideas from gay and lesbian/queer studies, American studies, social history, film history, and literary history, but avoids specialized theoretical language in order to be accessible to the many people interested in the story and the film. Original, interdisciplinary, and engaging, On Brokeback Mountain is intended to be not only useful to academic specialists but also accessible and readable for any interested, educated reader. The two versions of Brokeback Mountain are significant for taking readers and audiences inside the perspectives of men who love men, showing what physical and emotional passion, and hostility toward that passion, may be like for them. The story and the film help in understanding the many men who love men and who don't fit stereotypes of gay men or participate in the gay/queer worlds of urban/academic communities, especially men in rural areas and in working class contexts. This book examines the presentation of friendship, sex, and love between men in Brokeback Mountain, as well as the depiction of homophobia and its effects on men who love men and their families. It relates the story and the film to the literary tradition of the homoerotic pastoral, the literary/movie tradition of the Western, and the tradition of the tragic romantic love story. |
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Page xi
... indicating sources in endnotes for readers who want to learn more . The endnotes aren't intended to provide comprehensive listings of the scholarship in each area , which often is very ex- tensive , but simply to direct general readers ...
... indicating sources in endnotes for readers who want to learn more . The endnotes aren't intended to provide comprehensive listings of the scholarship in each area , which often is very ex- tensive , but simply to direct general readers ...
Page xxi
... indicated in the movie that their primary sexual and emotional at- tractions are to men . Both strongly identify as masculine in a culture that con- structs desire between men as negating masculinity . Because of the region in which ...
... indicated in the movie that their primary sexual and emotional at- tractions are to men . Both strongly identify as masculine in a culture that con- structs desire between men as negating masculinity . Because of the region in which ...
Page xxiv
... indicates that men who interacted in such spaces often sought to maximize social invisibility , and therefore often minimized the ex- change of personal information . Social networks certainly developed , but tended to be tightly knit ...
... indicates that men who interacted in such spaces often sought to maximize social invisibility , and therefore often minimized the ex- change of personal information . Social networks certainly developed , but tended to be tightly knit ...
Page xxxi
... indicate negative assumptions about sexual minorities but that make it possible to evade accusations of homopho- bia , and by including and promoting the interests of people who are perceived as heterosexual , especially those in ...
... indicate negative assumptions about sexual minorities but that make it possible to evade accusations of homopho- bia , and by including and promoting the interests of people who are perceived as heterosexual , especially those in ...
Page xxxix
... indicates that accommodation of sexual minority men continued until the 1950s among Mormons , and Howard , Men Like That , indicates that it continued into the 1960s in Mississippi . 20. See Chris Packard , Queer Cowboys and Other ...
... indicates that accommodation of sexual minority men continued until the 1950s among Mormons , and Howard , Men Like That , indicates that it continued into the 1960s in Mississippi . 20. See Chris Packard , Queer Cowboys and Other ...
Contents
Reactions To Brokeback Mountain | xlv |
A Companion Where None Had Been Expected Friendship | 1 |
Guns Goin Off Sex | 41 |
The Rushing Cold of the Mountain Nature | 73 |
We Do That in the Wrong Place Well Be Dead Hatred and Fear | 135 |
Separate and Difficult Lives Love | 177 |
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accept American culture Ang Lee Annie Proulx attraction Brokeback Mountain challenge characters constructed continue contrast cowboy depiction desire Diana Ossana discussion dominant Ennis and Alma Ennis and Jack Ennis's episode especially experience expression father fear feel film filmmakers friendship Gay and Lesbian Gyllenhaal hatred Heath Ledger heterosexual homoerotic homophobia homophobic homosexuality homosocial hostility ideal intense intimacy involved Jack and Ennis Jack's Jake Gyllenhaal July 29 landscape Leaves of Grass Ledger Lesbian lives look Lureen majority male love male-male man-loving marriage masculine members of sexual movie narrative Ossana particularly pass for straight pastoral physical poem presents Press queer ranch reject rodeo romantic love rural same-sex scene Screenplay screenwriters sense sexual and emotional sexual minorities sexual orientation sexuality and gender sexually different share shirts shows social society stereotypes story suggests summer there's tion traditional Transgender understand versions of Brokeback violence West Western Whitman who's women York