On Brokeback Mountain: Meditations about Masculinity, Fear, and Love in the Story and the FilmOn Brokeback Mountain: Meditations About Masculinity, Fear, and Love in the Story and the Film provides a close, detailed, comparative discussion of the short story and the film in relation to ways of understanding masculinity and love between men in American culture. It uses analytical ideas from gay and lesbian/queer studies, American studies, social history, film history, and literary history, but avoids specialized theoretical language in order to be accessible to the many people interested in the story and the film. Original, interdisciplinary, and engaging, On Brokeback Mountain is intended to be not only useful to academic specialists but also accessible and readable for any interested, educated reader. The two versions of Brokeback Mountain are significant for taking readers and audiences inside the perspectives of men who love men, showing what physical and emotional passion, and hostility toward that passion, may be like for them. The story and the film help in understanding the many men who love men and who don't fit stereotypes of gay men or participate in the gay/queer worlds of urban/academic communities, especially men in rural areas and in working class contexts. This book examines the presentation of friendship, sex, and love between men in Brokeback Mountain, as well as the depiction of homophobia and its effects on men who love men and their families. It relates the story and the film to the literary tradition of the homoerotic pastoral, the literary/movie tradition of the Western, and the tradition of the tragic romantic love story. |
From inside the book
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Page xiii
... become visible to it . The ability to pass and to remain invisible to the majority because a man doesn't fit its assumptions about gay men may seem like an advantage to some , but , as the story and the film show , it raises many ...
... become visible to it . The ability to pass and to remain invisible to the majority because a man doesn't fit its assumptions about gay men may seem like an advantage to some , but , as the story and the film show , it raises many ...
Page xvi
... become visible over the past four decades . The third chapter , on nature in both versions of the narrative , considers the relationship of Brokeback Mountain to the homoerotic pastoral literary tradition and to the tradition of the ...
... become visible over the past four decades . The third chapter , on nature in both versions of the narrative , considers the relationship of Brokeback Mountain to the homoerotic pastoral literary tradition and to the tradition of the ...
Page xxi
... becoming increasingly visible after the Second World War , is quite distant from their lives . While it's possible to think of Ennis and Jack as gay in the sense that they love men , this isn't a word that either of them use , and it's ...
... becoming increasingly visible after the Second World War , is quite distant from their lives . While it's possible to think of Ennis and Jack as gay in the sense that they love men , this isn't a word that either of them use , and it's ...
Page xxv
... becomes visible , must be excluded or eradicated.31 Although detailed historical investigation of the frequency of ... become less acceptable everywhere , including male work communities . In rural areas of the United States in the mid ...
... becomes visible , must be excluded or eradicated.31 Although detailed historical investigation of the frequency of ... become less acceptable everywhere , including male work communities . In rural areas of the United States in the mid ...
Page xxviii
... become involved in the type of connec- tions with other rural men that can be described as queer ( in the older sense of the word ) rather than gay , and then eventually moves toward a degree of open self - identification as a man who ...
... become involved in the type of connec- tions with other rural men that can be described as queer ( in the older sense of the word ) rather than gay , and then eventually moves toward a degree of open self - identification as a man who ...
Contents
Reactions To Brokeback Mountain | xlv |
A Companion Where None Had Been Expected Friendship | 1 |
Guns Goin Off Sex | 41 |
The Rushing Cold of the Mountain Nature | 73 |
We Do That in the Wrong Place Well Be Dead Hatred and Fear | 135 |
Separate and Difficult Lives Love | 177 |
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accept American culture Ang Lee Annie Proulx attraction Brokeback Mountain challenge characters constructed continue contrast cowboy depiction desire Diana Ossana discussion dominant Ennis and Alma Ennis and Jack Ennis's episode especially experience expression father fear feel film filmmakers friendship Gay and Lesbian Gyllenhaal hatred Heath Ledger heterosexual homoerotic homophobia homophobic homosexuality homosocial hostility ideal intense intimacy involved Jack and Ennis Jack's Jake Gyllenhaal July 29 landscape Leaves of Grass Ledger Lesbian lives look Lureen majority male love male-male man-loving marriage masculine members of sexual movie narrative Ossana particularly pass for straight pastoral physical poem presents Press queer ranch reject rodeo romantic love rural same-sex scene Screenplay screenwriters sense sexual and emotional sexual minorities sexual orientation sexuality and gender sexually different share shirts shows social society stereotypes story suggests summer there's tion traditional Transgender understand versions of Brokeback violence West Western Whitman who's women York