On Brokeback Mountain: Meditations about Masculinity, Fear, and Love in the Story and the FilmOn Brokeback Mountain: Meditations About Masculinity, Fear, and Love in the Story and the Film provides a close, detailed, comparative discussion of the short story and the film in relation to ways of understanding masculinity and love between men in American culture. It uses analytical ideas from gay and lesbian/queer studies, American studies, social history, film history, and literary history, but avoids specialized theoretical language in order to be accessible to the many people interested in the story and the film. Original, interdisciplinary, and engaging, On Brokeback Mountain is intended to be not only useful to academic specialists but also accessible and readable for any interested, educated reader. The two versions of Brokeback Mountain are significant for taking readers and audiences inside the perspectives of men who love men, showing what physical and emotional passion, and hostility toward that passion, may be like for them. The story and the film help in understanding the many men who love men and who don't fit stereotypes of gay men or participate in the gay/queer worlds of urban/academic communities, especially men in rural areas and in working class contexts. This book examines the presentation of friendship, sex, and love between men in Brokeback Mountain, as well as the depiction of homophobia and its effects on men who love men and their families. It relates the story and the film to the literary tradition of the homoerotic pastoral, the literary/movie tradition of the Western, and the tradition of the tragic romantic love story. |
From inside the book
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Page xi
... West in the mid to later twentieth century and deals with char- acters who are white ( though it's important to note that Ennis's last name sug- gests that he may be perceived as being partly Hispanic , which also is true for Joe ...
... West in the mid to later twentieth century and deals with char- acters who are white ( though it's important to note that Ennis's last name sug- gests that he may be perceived as being partly Hispanic , which also is true for Joe ...
Page xiv
... West , which connects it to representations of nature in established cultural traditions , especially in literature and in film . For many Americans , the traditions of the Western in literature , art , and pop- ular culture ...
... West , which connects it to representations of nature in established cultural traditions , especially in literature and in film . For many Americans , the traditions of the Western in literature , art , and pop- ular culture ...
Page xv
... Western and the genre of the romantic , tragic love story . The book is organized in the following way to address the issues that I've outlined in the last six paragraphs . After this Introduction comes a Prologue on the significance of ...
... Western and the genre of the romantic , tragic love story . The book is organized in the following way to address the issues that I've outlined in the last six paragraphs . After this Introduction comes a Prologue on the significance of ...
Page xvi
... Western . The fourth , on hatred and fear , examines the presentation of homophobia in both versions , looking closely at their accounts of its impact on men who are sexually and emotionally intimate , as well as what both suggest about ...
... Western . The fourth , on hatred and fear , examines the presentation of homophobia in both versions , looking closely at their accounts of its impact on men who are sexually and emotionally intimate , as well as what both suggest about ...
Page xxiii
... west had well - established patterns of intimacy that clearly included sexual in- tercourse.21 In the society of hoboes , men who lived on the road and sometimes did itinerant work , into the first third of the twentieth century there ...
... west had well - established patterns of intimacy that clearly included sexual in- tercourse.21 In the society of hoboes , men who lived on the road and sometimes did itinerant work , into the first third of the twentieth century there ...
Contents
Reactions To Brokeback Mountain | xlv |
A Companion Where None Had Been Expected Friendship | 1 |
Guns Goin Off Sex | 41 |
The Rushing Cold of the Mountain Nature | 73 |
We Do That in the Wrong Place Well Be Dead Hatred and Fear | 135 |
Separate and Difficult Lives Love | 177 |
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accept American culture Ang Lee Annie Proulx attraction Brokeback Mountain challenge characters constructed continue contrast cowboy depiction desire Diana Ossana discussion dominant Ennis and Alma Ennis and Jack Ennis's episode especially experience expression father fear feel film filmmakers friendship Gay and Lesbian Gyllenhaal hatred Heath Ledger heterosexual homoerotic homophobia homophobic homosexuality homosocial hostility ideal intense intimacy involved Jack and Ennis Jack's Jake Gyllenhaal July 29 landscape Leaves of Grass Ledger Lesbian lives look Lureen majority male love male-male man-loving marriage masculine members of sexual movie narrative Ossana particularly pass for straight pastoral physical poem presents Press queer ranch reject rodeo romantic love rural same-sex scene Screenplay screenwriters sense sexual and emotional sexual minorities sexual orientation sexuality and gender sexually different share shirts shows social society stereotypes story suggests summer there's tion traditional Transgender understand versions of Brokeback violence West Western Whitman who's women York