An Exaltation of Forms: Contemporary Poets Celebrate the Diversity of Their ArtAnnie Finch, Kathrine Varnes At once handbook, reader, and guide to the literary tastes and wisdom of poets, An Exaltation of Forms is an indispensable resource certain to find a dedicated audience among poetry lovers. The editors invited over fifty contemporary poets to select a poetic meter, stanza, or form, describe it, recount its history, and provide favorite examples. The essays represent a remarkably diverse range of literary styles and approaches, and show how the forms of contemporary English-language poetry derive from a wealth of different traditions. The forms range from hendecasyllabics to prose poetry, haiku to procedural poetry, sonnets to blues, rap to fractal verse. The range of poets included is equally impressive--from Amiri Baraka to John Frederick Nims, from Maxine Kumin to Marilyn Hacker, from Agha Shahid Ali to Pat Mora, from W. D. Snodgrass to Charles Bernstein. Achieving this level of eclecticism is a remarkable feat, especially given the strong opinions held by members of the various camps (e.g., the New Formalists, LANGUAGE poets, feminist and multicultural poets) that exist within today's poetry community. Poets who might never occupy the same room here occupy the same pages, perhaps for the first time. The net effect is a book that will surprise, inform, and delight a wide range of readers, whether as reference book, pleasure reading, or classroom text. Poet, translator, and critic Annie Finch is director of the Stonecoast low-residency MFA program at the University of Southern Maine. She is author of The Ghost of Meter: Culture and Prosody in American Free Verse, Eve, and Calendars. She is the winner of the eleventh annual Robert Fitzgerald Prosody Award for scholars who have made a lasting contribution to the art and science of versification. Kathrine Varnes teaches English at the University of Missouri-Columbia. She is the author of the book of poems, The Paragon. Her poems and essays have appeared in many books and journals. |
From inside the book
Results 1-5 of 27
Page
... Shape : The Art of Carmina Figurata Gists , Piths , and Poison - Pills : The Art of the Epigram Ghazal : To Be Teased into DisUnity Haiku Hip - Hop Rhyme Formations : Open Your Ears Japanese - Style Linked Poems Form Lite : Limericks ...
... Shape : The Art of Carmina Figurata Gists , Piths , and Poison - Pills : The Art of the Epigram Ghazal : To Be Teased into DisUnity Haiku Hip - Hop Rhyme Formations : Open Your Ears Japanese - Style Linked Poems Form Lite : Limericks ...
Page 1
... shapes and materials through the words of the poets who know and love them . Over several years , we asked numerous poets to write brief introductory histories and how - tos for a particular form , meter , stanza , or principle for ...
... shapes and materials through the words of the poets who know and love them . Over several years , we asked numerous poets to write brief introductory histories and how - tos for a particular form , meter , stanza , or principle for ...
Page 5
... shape in an archaeology of the self or in the sound of ancient meters . All anthologies require many hard decisions , and we had to omit much material we would rather have included . Two particular absences deserve mention . Although we ...
... shape in an archaeology of the self or in the sound of ancient meters . All anthologies require many hard decisions , and we had to omit much material we would rather have included . Two particular absences deserve mention . Although we ...
Page 11
... shape in the traditional sense , the sounds created by the words may be less im- mediately apparent . It may take some marking - color - coding certain vowels or consonants , circling rhymes wherever they appear - to un- cover the ...
... shape in the traditional sense , the sounds created by the words may be less im- mediately apparent . It may take some marking - color - coding certain vowels or consonants , circling rhymes wherever they appear - to un- cover the ...
Page 17
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Contents
VI | 15 |
VII | 24 |
VIII | 32 |
IX | 39 |
X | 46 |
XI | 52 |
XII | 59 |
XIII | 66 |
XLI | 238 |
XLII | 242 |
XLIV | 247 |
XLVI | 254 |
XLVII | 262 |
L | 272 |
LI | 279 |
LII | 290 |
XIV | 73 |
XV | 81 |
XVI | 86 |
XVII | 95 |
XIX | 107 |
XX | 116 |
XXII | 122 |
XXIV | 132 |
XXV | 141 |
XXVI | 148 |
XXVII | 156 |
XXVIII | 165 |
XXIX | 167 |
XXX | 180 |
XXXI | 188 |
XXXII | 198 |
XXXIV | 206 |
XXXVI | 210 |
XXXVII | 217 |
XXXVIII | 223 |
XL | 228 |
LIII | 297 |
LIV | 308 |
LV | 314 |
LVI | 323 |
LVII | 325 |
LVIII | 334 |
LIX | 341 |
LX | 352 |
LXI | 359 |
LXII | 366 |
LXIII | 379 |
LXIV | 385 |
LXV | 391 |
LXVI | 394 |
LXVIII | 396 |
LXIX | 400 |
LXX | 413 |
LXXI | 417 |
LXXII | 435 |
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Common terms and phrases
accent accentual verse accentual-syllabic aesthetic alcaic anapestic anthology ballade Bashō beats blank verse blues called century classical contemporary Copyright counted verse dactylic décima dream English enjambment epigram example excerpt eyes feel feet formal fractal free verse genre ghazal haiku hendecasyllabic heroic couplet hip-hop iambic pentameter J. V. Cunningham John language light literary look Lord lyric Marilyn Hacker meter metrical moon morning narrative never night opening Oulipo pantoum pantun Paradelle pattern permission poem's poems quoted poetic form poetry prose poem prosody published quatrain reader refrain renku Reprinted rhyme scheme rhythm Robert rondeau sapphic sestina sing song sonnet sound stanza stress syllables terza rima tetrameter thee things Thomas thou thought tion traditional translated triolet trochaic trochees University Press villanelle W. H. Auden William words writing written York
References to this book
Discovering Patterns in Mathematics and Poetry Marcia Birken,Anne Christine Coon Limited preview - 2008 |