An Exaltation of Forms: Contemporary Poets Celebrate the Diversity of Their ArtAnnie Finch, Kathrine Varnes At once handbook, reader, and guide to the literary tastes and wisdom of poets, An Exaltation of Forms is an indispensable resource certain to find a dedicated audience among poetry lovers. The editors invited over fifty contemporary poets to select a poetic meter, stanza, or form, describe it, recount its history, and provide favorite examples. The essays represent a remarkably diverse range of literary styles and approaches, and show how the forms of contemporary English-language poetry derive from a wealth of different traditions. The forms range from hendecasyllabics to prose poetry, haiku to procedural poetry, sonnets to blues, rap to fractal verse. The range of poets included is equally impressive--from Amiri Baraka to John Frederick Nims, from Maxine Kumin to Marilyn Hacker, from Agha Shahid Ali to Pat Mora, from W. D. Snodgrass to Charles Bernstein. Achieving this level of eclecticism is a remarkable feat, especially given the strong opinions held by members of the various camps (e.g., the New Formalists, LANGUAGE poets, feminist and multicultural poets) that exist within today's poetry community. Poets who might never occupy the same room here occupy the same pages, perhaps for the first time. The net effect is a book that will surprise, inform, and delight a wide range of readers, whether as reference book, pleasure reading, or classroom text. Poet, translator, and critic Annie Finch is director of the Stonecoast low-residency MFA program at the University of Southern Maine. She is author of The Ghost of Meter: Culture and Prosody in American Free Verse, Eve, and Calendars. She is the winner of the eleventh annual Robert Fitzgerald Prosody Award for scholars who have made a lasting contribution to the art and science of versification. Kathrine Varnes teaches English at the University of Missouri-Columbia. She is the author of the book of poems, The Paragon. Her poems and essays have appeared in many books and journals. |
From inside the book
Results 1-5 of 31
Page
... JOHN RIDLAND 39 ANTHONY HECHT 46 CHARLES O. HARTMAN 52 CARL PHILLIPS 59 ANNIE FINCH 66 MICHELLE BOISSEAU 73 RACHEL HADAS ROSANNA WARREN 81 86 JOHN FREDERICK NIMS 95 RECEIVED FORMS Emergencies : A Few Notes on the Prose.
... JOHN RIDLAND 39 ANTHONY HECHT 46 CHARLES O. HARTMAN 52 CARL PHILLIPS 59 ANNIE FINCH 66 MICHELLE BOISSEAU 73 RACHEL HADAS ROSANNA WARREN 81 86 JOHN FREDERICK NIMS 95 RECEIVED FORMS Emergencies : A Few Notes on the Prose.
Page
... Prose Poem MICHEL. II . " The Bravest Sort of Verses " : The Heroic Couplet STANZAS TIMOTHY STEELE 107 The Self - Engendering Muse : Terza Rima FELIX STEFANILE 116 The Quatrain Sapphics Ottava Rima Spenser's Eponymous The Décima : A ...
... Prose Poem MICHEL. II . " The Bravest Sort of Verses " : The Heroic Couplet STANZAS TIMOTHY STEELE 107 The Self - Engendering Muse : Terza Rima FELIX STEFANILE 116 The Quatrain Sapphics Ottava Rima Spenser's Eponymous The Décima : A ...
Page
... Prose Poem MICHEL DELVILLE AND MAXINE CHERNOFF 262 The Metrics of Rap DJ RENEGADE 272 Rondeaux and Roundels THOMAS M. DISCH 279 Sestina : The End Game The Sonnet Triolet : Trippingly on the Tongue Gymnastics : The Villanelle LEWIS TURCO ...
... Prose Poem MICHEL DELVILLE AND MAXINE CHERNOFF 262 The Metrics of Rap DJ RENEGADE 272 Rondeaux and Roundels THOMAS M. DISCH 279 Sestina : The End Game The Sonnet Triolet : Trippingly on the Tongue Gymnastics : The Villanelle LEWIS TURCO ...
Page 3
... prose discourse , yet at the same time contrive to make itself manifestly distinguishable from prose . " Such an accomplishment cannot merely be technical . We see the intri- cacy of the connection between form and vision again when ...
... prose discourse , yet at the same time contrive to make itself manifestly distinguishable from prose . " Such an accomplishment cannot merely be technical . We see the intri- cacy of the connection between form and vision again when ...
Page 10
... prose is written in paragraphs , lines of verse grouped to- gether are called stanzas . Two lines are a couplet ; three make up a ter- cet ; four a quatrain ; five a quintet ; six a sestet ; seven a septet ; eight an octave . Each ...
... prose is written in paragraphs , lines of verse grouped to- gether are called stanzas . Two lines are a couplet ; three make up a ter- cet ; four a quatrain ; five a quintet ; six a sestet ; seven a septet ; eight an octave . Each ...
Contents
VI | 15 |
VII | 24 |
VIII | 32 |
IX | 39 |
X | 46 |
XI | 52 |
XII | 59 |
XIII | 66 |
XLI | 238 |
XLII | 242 |
XLIV | 247 |
XLVI | 254 |
XLVII | 262 |
L | 272 |
LI | 279 |
LII | 290 |
XIV | 73 |
XV | 81 |
XVI | 86 |
XVII | 95 |
XIX | 107 |
XX | 116 |
XXII | 122 |
XXIV | 132 |
XXV | 141 |
XXVI | 148 |
XXVII | 156 |
XXVIII | 165 |
XXIX | 167 |
XXX | 180 |
XXXI | 188 |
XXXII | 198 |
XXXIV | 206 |
XXXVI | 210 |
XXXVII | 217 |
XXXVIII | 223 |
XL | 228 |
LIII | 297 |
LIV | 308 |
LV | 314 |
LVI | 323 |
LVII | 325 |
LVIII | 334 |
LIX | 341 |
LX | 352 |
LXI | 359 |
LXII | 366 |
LXIII | 379 |
LXIV | 385 |
LXV | 391 |
LXVI | 394 |
LXVIII | 396 |
LXIX | 400 |
LXX | 413 |
LXXI | 417 |
LXXII | 435 |
Other editions - View all
Common terms and phrases
accent accentual verse accentual-syllabic aesthetic alcaic anapestic anthology ballade Bashō beats blank verse blues called century classical contemporary Copyright counted verse dactylic décima dream English enjambment epigram example excerpt eyes feel feet formal fractal free verse genre ghazal haiku hendecasyllabic heroic couplet hip-hop iambic pentameter J. V. Cunningham John language light literary look Lord lyric Marilyn Hacker meter metrical moon morning narrative never night opening Oulipo pantoum pantun Paradelle pattern permission poem's poems quoted poetic form poetry prose poem prosody published quatrain reader refrain renku Reprinted rhyme scheme rhythm Robert rondeau sapphic sestina sing song sonnet sound stanza stress syllables terza rima tetrameter thee things Thomas thou thought tion traditional translated triolet trochaic trochees University Press villanelle W. H. Auden William words writing written York
References to this book
Discovering Patterns in Mathematics and Poetry Marcia Birken,Anne Christine Coon Limited preview - 2008 |