Notes and Lectures Upon Shakespeare and Some of the Old Poets and Dramatists and Other Literary Remains of S.T. Coleridge, Volume 1W. Pickering, 1849 - Literature |
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Page 4
... words , illustrations , & c . , I know almost as little as any one of the audience ( that is , those of any thing like the same education with my- self ) what they will be five minutes before the lec- ture begins . Such is my way , for ...
... words , illustrations , & c . , I know almost as little as any one of the audience ( that is , those of any thing like the same education with my- self ) what they will be five minutes before the lec- ture begins . Such is my way , for ...
Page 8
... words ! -fearful often in their consequences when merely felt , not understood ; but most awful when both felt and understood ! -Had these three words only been properly understood by , and present in the minds of , general readers ...
... words ! -fearful often in their consequences when merely felt , not understood ; but most awful when both felt and understood ! -Had these three words only been properly understood by , and present in the minds of , general readers ...
Page 9
... word be a mere lazy synonyme for a composition in metre , ) it yet becomes a just , and not merely discrimina- tive , but full and adequate , definition of poetry in its highest and most peculiar sense , only so far as the distinction ...
... word be a mere lazy synonyme for a composition in metre , ) it yet becomes a just , and not merely discrimina- tive , but full and adequate , definition of poetry in its highest and most peculiar sense , only so far as the distinction ...
Page 10
... names and fates Steal access thro ' our senses to our minds . * * Sir John Davies on the Immortality of the Soul , sect . iv . The words and lines in italics are substituted to apply 11 GREEK DRAMA . ( c ) * T is 10 DEFINITION OF POETRY .
... names and fates Steal access thro ' our senses to our minds . * * Sir John Davies on the Immortality of the Soul , sect . iv . The words and lines in italics are substituted to apply 11 GREEK DRAMA . ( c ) * T is 10 DEFINITION OF POETRY .
Page 20
... words . On the contrary , the evident purpose was to render the words more audible 20 GREEK DRAMA .
... words . On the contrary , the evident purpose was to render the words more audible 20 GREEK DRAMA .
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Common terms and phrases
admirable appear audience Beaumont and Fletcher beauty Brutus Cæsar cause character Coleridge comedy Coriolanus Cymbeline drama effect excellent excitement exquisite fancy father fear feelings fool genius give Greek habits Hamlet harmony hath heart heaven Henry historical honour human Iago Iago's images imagination imitation intellect Jonson judgment Julius Cæsar king language Lear Lear's Lect lectures lord Love's Labour's Lost Macbeth means ment metre mind moral nature noble object observe Othello passage passion perhaps philosopher play poem poet poetic poetry Polonius present racters remark Richard Richard III Romeo and Juliet scene Schlegel seems sense Shak Shakspeare Shakspeare never Shakspeare's Shakspearian speak speare speech spirit supposed sweet Tempest Theobald Theobald's note thing thou thought tion Titus Andronicus tragedy Troilus and Cressida true truth Twelfth Night unity Warburton whilst whole words writer
Popular passages
Page 166 - This royal throne of kings, this scepter'd isle, This earth of majesty, this seat of Mars, This other Eden, demi-paradise, This fortress built by Nature for herself Against infection and the hand of war, This happy breed of men, this little world, This precious stone set in the silver sea...
Page 157 - tis not so deep as a well, nor so wide as a church door ; but 'tis enough, 'twill serve : ask for me to-morrow, and you shall find me a grave man. I am peppered, I warrant, for this world. A plague o...
Page 246 - Which would be worn now in their newest gloss, Not cast aside so soon. Lady M. Was the hope drunk Wherein you dress'd yourself? hath it slept since, And wakes it now, to look so green and pale At what it did so freely ? From this time Such I account thy love. Art thou...
Page 109 - Subtle as sphinx ; as sweet, and musical, As bright Apollo's lute, strung with his hair; And, when love speaks, the voice of all the gods Makes heaven drowsy with the harmony.
Page 112 - A jest's prosperity lies in the ear Of him that hears it, never in the tongue Of him that makes it...
Page 54 - Lo, here the gentle lark, weary of rest, From his moist cabinet mounts up on high, And wakes the morning, from whose silver breast The sun ariseth in his majesty; Who doth the world so gloriously behold, That cedar-tops and hills seem burnish'd gold.
Page 196 - This is the excellent foppery of the world, that, when we are sick in fortune, — often the surfeit of our own behaviour, — we make guilty of our disasters the sun, the moon, and the stars...
Page 248 - It will have blood, they say ; blood will have blood : Stones have been known to move, and trees to speak ; Augurs, and understood relations, have By magot-pies, and choughs, and rooks, brought forth The secret'st man of blood.
Page 10 - ... reveals itself in the balance or reconciliation of opposite or discordant qualities: of sameness, with difference; of the general, with the concrete; the idea, with the image; the individual, with the representative; the sense of novelty and freshness, with old and familiar objects; a more than usual state of emotion, with more than usual order...
Page 167 - This England never did, (nor never shall,) Lie at the proud foot of a conqueror, But when it first did help to wound itself. Now these her princes are come home again, Come the three corners of the world in arms, And we shall shock them : Nought shall make us rue, If England to itself do rest but true.