Notes and Lectures Upon Shakespeare and Some of the Old Poets and Dramatists and Other Literary Remains of S.T. Coleridge, Volume 1W. Pickering, 1849 - Literature |
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Page 10
... ment with enthusiasm and vehement feeling , —and which , while it blends and harmonizes the natural and the artificial , still subordinates art to nature , the manner to the matter , and our admiration of the poet to our sympathy with ...
... ment with enthusiasm and vehement feeling , —and which , while it blends and harmonizes the natural and the artificial , still subordinates art to nature , the manner to the matter , and our admiration of the poet to our sympathy with ...
Page 15
... ment . And this we have represented to us most clearly in the plastic art , or statuary ; where the perfection of outward form is a symbol of the per- fection of an inward idea ; where the body is wholly penetrated by the soul , and ...
... ment . And this we have represented to us most clearly in the plastic art , or statuary ; where the perfection of outward form is a symbol of the per- fection of an inward idea ; where the body is wholly penetrated by the soul , and ...
Page 20
... ment ; and it is not to be supposed , that any dis- play of musical power was allowed to obscure the distinct hearing of the words . On the contrary , the evident purpose was to render the words more audible 20 GREEK DRAMA .
... ment ; and it is not to be supposed , that any dis- play of musical power was allowed to obscure the distinct hearing of the words . On the contrary , the evident purpose was to render the words more audible 20 GREEK DRAMA .
Page 23
... Greek drama . This continued till the perfect establish- ment of Christianity . Some attempts , indeed , were made to adapt the persons of Scriptural or ecclesi- astical history to the drama ; and sacred plays , PROGRESS OF THE DRAMA . 23.
... Greek drama . This continued till the perfect establish- ment of Christianity . Some attempts , indeed , were made to adapt the persons of Scriptural or ecclesi- astical history to the drama ; and sacred plays , PROGRESS OF THE DRAMA . 23.
Page 27
... ment contradicts it . For what purpose should the Vice leap upon the Devil's back and belabour him , but to produce this separate attention ? The people laughed heartily , no doubt . Nor can I conceive any meaning attached to the words ...
... ment contradicts it . For what purpose should the Vice leap upon the Devil's back and belabour him , but to produce this separate attention ? The people laughed heartily , no doubt . Nor can I conceive any meaning attached to the words ...
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admirable appear audience Beaumont and Fletcher beauty Brutus Cæsar cause character Coleridge comedy Coriolanus Cymbeline drama effect excellent excitement exquisite fancy father fear feelings fool genius give Greek habits Hamlet harmony hath heart heaven Henry historical honour human Iago Iago's images imagination imitation intellect Jonson judgment Julius Cæsar king language Lear Lear's Lect lectures lord Love's Labour's Lost Macbeth means ment metre mind moral nature noble object observe Othello passage passion perhaps philosopher play poem poet poetic poetry Polonius present racters remark Richard Richard III Romeo and Juliet scene Schlegel seems sense Shak Shakspeare Shakspeare never Shakspeare's Shakspearian speak speare speech spirit supposed sweet Tempest Theobald Theobald's note thing thou thought tion Titus Andronicus tragedy Troilus and Cressida true truth Twelfth Night unity Warburton whilst whole words writer
Popular passages
Page 166 - This royal throne of kings, this scepter'd isle, This earth of majesty, this seat of Mars, This other Eden, demi-paradise, This fortress built by Nature for herself Against infection and the hand of war, This happy breed of men, this little world, This precious stone set in the silver sea...
Page 157 - tis not so deep as a well, nor so wide as a church door ; but 'tis enough, 'twill serve : ask for me to-morrow, and you shall find me a grave man. I am peppered, I warrant, for this world. A plague o...
Page 246 - Which would be worn now in their newest gloss, Not cast aside so soon. Lady M. Was the hope drunk Wherein you dress'd yourself? hath it slept since, And wakes it now, to look so green and pale At what it did so freely ? From this time Such I account thy love. Art thou...
Page 109 - Subtle as sphinx ; as sweet, and musical, As bright Apollo's lute, strung with his hair; And, when love speaks, the voice of all the gods Makes heaven drowsy with the harmony.
Page 112 - A jest's prosperity lies in the ear Of him that hears it, never in the tongue Of him that makes it...
Page 54 - Lo, here the gentle lark, weary of rest, From his moist cabinet mounts up on high, And wakes the morning, from whose silver breast The sun ariseth in his majesty; Who doth the world so gloriously behold, That cedar-tops and hills seem burnish'd gold.
Page 196 - This is the excellent foppery of the world, that, when we are sick in fortune, — often the surfeit of our own behaviour, — we make guilty of our disasters the sun, the moon, and the stars...
Page 248 - It will have blood, they say ; blood will have blood : Stones have been known to move, and trees to speak ; Augurs, and understood relations, have By magot-pies, and choughs, and rooks, brought forth The secret'st man of blood.
Page 10 - ... reveals itself in the balance or reconciliation of opposite or discordant qualities: of sameness, with difference; of the general, with the concrete; the idea, with the image; the individual, with the representative; the sense of novelty and freshness, with old and familiar objects; a more than usual state of emotion, with more than usual order...
Page 167 - This England never did, (nor never shall,) Lie at the proud foot of a conqueror, But when it first did help to wound itself. Now these her princes are come home again, Come the three corners of the world in arms, And we shall shock them : Nought shall make us rue, If England to itself do rest but true.