Notes and Lectures Upon Shakespeare and Some of the Old Poets and Dramatists and Other Literary Remains of S.T. Coleridge, Volume 1W. Pickering, 1849 - Literature |
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Page 7
... imagination . Hence is produced a more vivid reflection of the truths of nature and of the human heart , united with a constant activity modifying and correcting these truths by that sort of pleasurable emotion , which the exertion of ...
... imagination . Hence is produced a more vivid reflection of the truths of nature and of the human heart , united with a constant activity modifying and correcting these truths by that sort of pleasurable emotion , which the exertion of ...
Page 10
... imagination and fancy , and by whatever else with these reveals itself in the balancing and reconciling of opposite or dis- cordant qualities , sameness with difference , a sense of novelty and freshness with old or customary objects ...
... imagination and fancy , and by whatever else with these reveals itself in the balancing and reconciling of opposite or dis- cordant qualities , sameness with difference , a sense of novelty and freshness with old or customary objects ...
Page 17
... imagination , it indemnified the understanding in appealing to the judgment for the probability of the scenes represented . The ancients themselves acknowledged the new comedy as an exact copy of real life . The grammarian , Aristo- 1 C ...
... imagination , it indemnified the understanding in appealing to the judgment for the probability of the scenes represented . The ancients themselves acknowledged the new comedy as an exact copy of real life . The grammarian , Aristo- 1 C ...
Page 19
... or common sense might detect in a change of place ; -but because the senses themselves put it out of the power of any imagination to conceive a place coming to , and go- ing away from the persons , instead of the persons GREEK DRAMA . 19.
... or common sense might detect in a change of place ; -but because the senses themselves put it out of the power of any imagination to conceive a place coming to , and go- ing away from the persons , instead of the persons GREEK DRAMA . 19.
Page 31
... few have there been among critics , who have followed with the eye of the imagination the impe- rishable yet ever wandering spirit of poetry through - its various metempsychoses , and consequent meta- morphoses ; PROGRESS OF THE DRAMA . 31.
... few have there been among critics , who have followed with the eye of the imagination the impe- rishable yet ever wandering spirit of poetry through - its various metempsychoses , and consequent meta- morphoses ; PROGRESS OF THE DRAMA . 31.
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admirable appear audience Beaumont and Fletcher beauty Brutus Cæsar cause character Coleridge comedy Coriolanus Cymbeline drama effect excellent excitement exquisite fancy father fear feelings fool genius give Greek habits Hamlet harmony hath heart heaven Henry historical honour human Iago Iago's images imagination imitation intellect Jonson judgment Julius Cæsar king language Lear Lear's Lect lectures lord Love's Labour's Lost Macbeth means ment metre mind moral nature noble object observe Othello passage passion perhaps philosopher play poem poet poetic poetry Polonius present racters remark Richard Richard III Romeo and Juliet scene Schlegel seems sense Shak Shakspeare Shakspeare never Shakspeare's Shakspearian speak speare speech spirit supposed sweet Tempest Theobald Theobald's note thing thou thought tion Titus Andronicus tragedy Troilus and Cressida true truth Twelfth Night unity Warburton whilst whole words writer
Popular passages
Page 166 - This royal throne of kings, this scepter'd isle, This earth of majesty, this seat of Mars, This other Eden, demi-paradise, This fortress built by Nature for herself Against infection and the hand of war, This happy breed of men, this little world, This precious stone set in the silver sea...
Page 157 - tis not so deep as a well, nor so wide as a church door ; but 'tis enough, 'twill serve : ask for me to-morrow, and you shall find me a grave man. I am peppered, I warrant, for this world. A plague o...
Page 246 - Which would be worn now in their newest gloss, Not cast aside so soon. Lady M. Was the hope drunk Wherein you dress'd yourself? hath it slept since, And wakes it now, to look so green and pale At what it did so freely ? From this time Such I account thy love. Art thou...
Page 109 - Subtle as sphinx ; as sweet, and musical, As bright Apollo's lute, strung with his hair; And, when love speaks, the voice of all the gods Makes heaven drowsy with the harmony.
Page 112 - A jest's prosperity lies in the ear Of him that hears it, never in the tongue Of him that makes it...
Page 54 - Lo, here the gentle lark, weary of rest, From his moist cabinet mounts up on high, And wakes the morning, from whose silver breast The sun ariseth in his majesty; Who doth the world so gloriously behold, That cedar-tops and hills seem burnish'd gold.
Page 196 - This is the excellent foppery of the world, that, when we are sick in fortune, — often the surfeit of our own behaviour, — we make guilty of our disasters the sun, the moon, and the stars...
Page 248 - It will have blood, they say ; blood will have blood : Stones have been known to move, and trees to speak ; Augurs, and understood relations, have By magot-pies, and choughs, and rooks, brought forth The secret'st man of blood.
Page 10 - ... reveals itself in the balance or reconciliation of opposite or discordant qualities: of sameness, with difference; of the general, with the concrete; the idea, with the image; the individual, with the representative; the sense of novelty and freshness, with old and familiar objects; a more than usual state of emotion, with more than usual order...
Page 167 - This England never did, (nor never shall,) Lie at the proud foot of a conqueror, But when it first did help to wound itself. Now these her princes are come home again, Come the three corners of the world in arms, And we shall shock them : Nought shall make us rue, If England to itself do rest but true.