Notes and Lectures Upon Shakespeare and Some of the Old Poets and Dramatists and Other Literary Remains of S.T. Coleridge, Volume 1W. Pickering, 1849 - Literature |
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Page 13
... contrast , most perfectly , the greater the display is of intellectual wealth squan- dered in the wantonness of sport without an object , and the more abundant the life and vivacity in the creations of the arbitrary will . The later ...
... contrast , most perfectly , the greater the display is of intellectual wealth squan- dered in the wantonness of sport without an object , and the more abundant the life and vivacity in the creations of the arbitrary will . The later ...
Page 16
... contrast- ing with , and opposing it . Tragedy , indeed , carried the thoughts into the mythologic world , in order to raise the emotions , the fears , and the hopes , which convince the inmost heart that their final cause is not to be ...
... contrast- ing with , and opposing it . Tragedy , indeed , carried the thoughts into the mythologic world , in order to raise the emotions , the fears , and the hopes , which convince the inmost heart that their final cause is not to be ...
Page 84
... contrast his morality with the writers of his own or of the succeeding age & c . † If a man speak injuriously of our friend , our vindication of him is naturally warm . Shakspeare has been ac- cused of profaneness . I for my part have ...
... contrast his morality with the writers of his own or of the succeeding age & c . † If a man speak injuriously of our friend , our vindication of him is naturally warm . Shakspeare has been ac- cused of profaneness . I for my part have ...
Page 86
... contrast of labour in Falstaff to produce wit , with the ease with which Prince Henry parries his shafts ; and the final contempt which such a character deserves and receives from the young king , when Falstaff exhi- bits the struggle ...
... contrast of labour in Falstaff to produce wit , with the ease with which Prince Henry parries his shafts ; and the final contempt which such a character deserves and receives from the young king , when Falstaff exhi- bits the struggle ...
Page 145
... that this happy valiancy of style is but the representative and result of all the material excel- lencies so expressed . This play should be perused in mental contrast with Romeo 1 L NOTES ON JULIUS CESAR . 145 Antony and Cleopatra •
... that this happy valiancy of style is but the representative and result of all the material excel- lencies so expressed . This play should be perused in mental contrast with Romeo 1 L NOTES ON JULIUS CESAR . 145 Antony and Cleopatra •
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admirable appear audience Beaumont and Fletcher beauty Brutus Cæsar cause character Coleridge comedy Coriolanus Cymbeline drama effect excellent excitement exquisite fancy father fear feelings fool genius give Greek habits Hamlet harmony hath heart heaven Henry historical honour human Iago Iago's images imagination imitation intellect Jonson judgment Julius Cæsar king language Lear Lear's Lect lectures lord Love's Labour's Lost Macbeth means ment metre mind moral nature noble object observe Othello passage passion perhaps philosopher play poem poet poetic poetry Polonius present racters remark Richard Richard III Romeo and Juliet scene Schlegel seems sense Shak Shakspeare Shakspeare never Shakspeare's Shakspearian speak speare speech spirit supposed sweet Tempest Theobald Theobald's note thing thou thought tion Titus Andronicus tragedy Troilus and Cressida true truth Twelfth Night unity Warburton whilst whole words writer
Popular passages
Page 166 - This royal throne of kings, this scepter'd isle, This earth of majesty, this seat of Mars, This other Eden, demi-paradise, This fortress built by Nature for herself Against infection and the hand of war, This happy breed of men, this little world, This precious stone set in the silver sea...
Page 157 - tis not so deep as a well, nor so wide as a church door ; but 'tis enough, 'twill serve : ask for me to-morrow, and you shall find me a grave man. I am peppered, I warrant, for this world. A plague o...
Page 246 - Which would be worn now in their newest gloss, Not cast aside so soon. Lady M. Was the hope drunk Wherein you dress'd yourself? hath it slept since, And wakes it now, to look so green and pale At what it did so freely ? From this time Such I account thy love. Art thou...
Page 109 - Subtle as sphinx ; as sweet, and musical, As bright Apollo's lute, strung with his hair; And, when love speaks, the voice of all the gods Makes heaven drowsy with the harmony.
Page 112 - A jest's prosperity lies in the ear Of him that hears it, never in the tongue Of him that makes it...
Page 54 - Lo, here the gentle lark, weary of rest, From his moist cabinet mounts up on high, And wakes the morning, from whose silver breast The sun ariseth in his majesty; Who doth the world so gloriously behold, That cedar-tops and hills seem burnish'd gold.
Page 196 - This is the excellent foppery of the world, that, when we are sick in fortune, — often the surfeit of our own behaviour, — we make guilty of our disasters the sun, the moon, and the stars...
Page 248 - It will have blood, they say ; blood will have blood : Stones have been known to move, and trees to speak ; Augurs, and understood relations, have By magot-pies, and choughs, and rooks, brought forth The secret'st man of blood.
Page 10 - ... reveals itself in the balance or reconciliation of opposite or discordant qualities: of sameness, with difference; of the general, with the concrete; the idea, with the image; the individual, with the representative; the sense of novelty and freshness, with old and familiar objects; a more than usual state of emotion, with more than usual order...
Page 167 - This England never did, (nor never shall,) Lie at the proud foot of a conqueror, But when it first did help to wound itself. Now these her princes are come home again, Come the three corners of the world in arms, And we shall shock them : Nought shall make us rue, If England to itself do rest but true.