Cather Studies, Volume 3Susan J. Rosowski Volume 3 of Cather Studies demonstrates the range of topics and approaches in contemporary discussions of Willa Cather?s work for the informed reader or the specialized student. In fourteen essays, critics and scholars examine Cather?s Catholic Progressivism, her literary relations with William Faulkner, and her place in the multicultural canon of American literature. |
Contents
The White Mulberry Tree As Opera | 51 |
Cather and Faulkner | 115 |
The Allusive Cather | 137 |
Spatial Structures and Forms | 197 |
Reflections of Authority and Community | 238 |
Four New Cather Letters to Annie Fields | 285 |
Common terms and phrases
allusion Ántonia Archbishop artist Cather Studies Cécile character church Cliff City critics culture d'Arnault daughter David Stouck Death Comes Diana and Ivory Emil Faulkner feeling female Fire and Wit Gilt Diana Grenfell GUY REYNOLDS Henshawes Ideology of Cather's impressionist Ivory Christ Jim's narrative Knopf Künstlerroman l'Incarnation Lark Latour letter light Lincoln literary lives Lucy Gayheart male Marie Marie de l'Incarnation Mesa Mortal Enemy Mother Eve Murphy Myra Myra's Nancy narrator Nebraska Nellie Nellie's novel O'Brien Old Beauty opera Oswald Outland's Story painting passion PAULA WOOLLEY Peter Professor's House Progressivism Quebec reader rock romance Rosowski Saint-Augustine Sapphira says scene seems sexual Shadows Sharon Shimerda Slave Girl Song Stephen Tennant storytelling Stouck structure suggests Susan symbol tell Thea things tion Tristan and Isolde voice White Mulberry Tree Willa Cather William Faulkner woman women Woodress words writing York young