The Performance of Jewish and Arab Music in Israel Today: A special issue of the journal Musical PerformanceAmnon Shiloah Israel, with its highly heterogeneous immigrant society, offers to the observer a fascinating instance of multifaceted performance practice. Within a relatively limited area, there are numerous musical traditions and styles which encompass sacred and secular, old and new, folk and sophisticated forms. The ten contributions included in these issues of Musical Performance represent a discussion of the most significant traditions that were established during the period before 1948: the search for the establishment of a new and typically Israeli art and folk music; the attitude of the protagonists of this tendency toward the old exiled traditional heritage of the Jewish people, and the struggle of the immigrants after the creation of the State of Israel to ensure the survival of their musical tradtions as well as to cope with the new physical and cultural environment. Altogether the general scope of these contributions correspond to a large extent to major events which marked the m |
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Page 2
... performing " song companies " . The author's point of departure is the premise that the novel ways followed by those ... performed for mixed audiences , did not admit excellent musicians from North Africa , Iran and Central Asia ...
... performing " song companies " . The author's point of departure is the premise that the novel ways followed by those ... performed for mixed audiences , did not admit excellent musicians from North Africa , Iran and Central Asia ...
Page
... performing groups under discussion.1 Yet, while it is frequently possible to determine the precise date of the founding of a particular orchestra or opera company, it is much more difficult to determine the extent to which they resemble ...
... performing groups under discussion.1 Yet, while it is frequently possible to determine the precise date of the founding of a particular orchestra or opera company, it is much more difficult to determine the extent to which they resemble ...
Page 5
... performing groups under discussion.1 Yet , while it is frequently possible to determine the precise date of the founding of a particular orchestra or opera company , it is much more difficult to determine the extent to which they ...
... performing groups under discussion.1 Yet , while it is frequently possible to determine the precise date of the founding of a particular orchestra or opera company , it is much more difficult to determine the extent to which they ...
Page 8
... performed on stage in auditoriums for ethnically diverse concert goers not necessarily familiar with each others . The national ideology pressured composers and performers raised on the European model to turn to the East , an act which ...
... performed on stage in auditoriums for ethnically diverse concert goers not necessarily familiar with each others . The national ideology pressured composers and performers raised on the European model to turn to the East , an act which ...
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... performing ensembles was so powerful , that Golinkin initiated his operative venture with a mere 23 members , an unpaid pupils ' orchestra ; this gradually turned into an underpaid 40 piece professional ensemble . Sarah Golinkin , the ...
... performing ensembles was so powerful , that Golinkin initiated his operative venture with a mere 23 members , an unpaid pupils ' orchestra ; this gradually turned into an underpaid 40 piece professional ensemble . Sarah Golinkin , the ...
Contents
1 | |
Havurot Hazemer in Israel | 15 |
The Performance of Arab Music in Israel | 35 |
Ashkenazi Liturgical Music in Israel Today | 51 |
Music and Cantillation in the Sephardi Synagogue | 65 |
Notes on Pronunciation | 81 |
Notes on Contributors | 91 |
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