OthelloOf all Shakespeare's tragedies, Othello, with its issues of racism, jealousy and sexual stereotyping seems most immediate to contemporary audiences. Traces Othello's acting tradition as it has affected the roles of Othello, Desdemona and Iago - demonstrating the emphasis placed on different characters in different countries. Examines various stage and screen versions of the play which reflect or challenge current views about race and gender. In depth study of famous Othello actor Paul Robeson, comparing his career to that of Ira Aldridge. The range of productions examined means that the book will appeal to all students and enthusiasts of the theatre, as well as those in the field of ethnic and cultural approaches to Shakespeare |
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acting text actor actors played actress Aldridge Aldridge's appearance audience Bianca black actor Booth Brabantio Cassio cast century characters comic contrast costume critics Cyprus Desdemona director Ducis Edmund Kean Edwin Booth effect Emilia emphasized English famous Ferrer film final scene Frank Finlay hand handkerchief hero heroic Iago Iago's II.i III.iii Ira Aldridge Irving Italian IV.iii James Earl Jones jealousy Jones and Niven José Ferrer Kean Kemble killed later lines Lodovico London look Macready makeup Margaret Webster Marshall and Stock Moor murder nineteenth-century Olivier opera Oroonoko Othello Othello and Desdemona Othello and Iago passion Patrice Johnson Patrick Stewart Paul Robeson performance perhaps play's played Iago playing Othello production promptbook racial racism reviewers Roderigo role Russian Salvini seems seen sexual shows song sound spectators speech stage Stanislavski story Stratford Stratford-upon-Avon suggests Suzman theatrical tradition tragedy tragic Venetian Venice villain Webster Welles's white actor wife willow scene