Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories of the Christian supernatural, of fantasies that depict imagined forms of heaven or hell, angel or devil, world and creator; it considers their growth and changes from the time of Dante to the present day. Relatively infrequent, such works nevertheless for centuries represented some of the highest aspirations of art. Works considered here include the French Queste del Saint Graal, Dante's Commedia, the Middle English Pearl, the first book of Spenser's The Faerie Queene, Marlowe's Dr. Faustus, Milton's Paradise Lost, Bunyan's The Pilgrim's Progress, Swedenborg's Heaven and Hell and poems by Blake; and, from the post-Romantic and increasingly less 'Christian' period, the fantasies of George MacDonald, Charles Kingsley, Charles Williams, C. S. Lewis and many others. In the development of these works, a primary issue is found to be the fantasy-making imagination itself, at first seen as a potential obstacle to plain Christian purpose, but more recently given freer rein in the new aim of demonstrating God's existence in a more secular world. The picture that emerges is of a literary mode which becomes more fictive and indirect in its presentation of Christian vision. |
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Page 133
... later ) . Many of the works published at the time were highly regarded , and in 1740 Swedenborg was unanimously accepted to membership of the newly established Swedish Academy of Sciences on the proposal of its president , Carl Linnaeus ...
... later ) . Many of the works published at the time were highly regarded , and in 1740 Swedenborg was unanimously accepted to membership of the newly established Swedish Academy of Sciences on the proposal of its president , Carl Linnaeus ...
Page 196
... later the creatures in the stream are given personalities ; and this animation we may suppose does not express mere pathetic fallacy , but rather the moral ( d ) evolutionary idea by which nature is throughout spiritually alive . In ...
... later the creatures in the stream are given personalities ; and this animation we may suppose does not express mere pathetic fallacy , but rather the moral ( d ) evolutionary idea by which nature is throughout spiritually alive . In ...
Page 293
... later in the afternoon , when a little parade of people goes by and a woman throws away an ermine stole which lands on a xylophone- player standing near him . Later still , all enthusiasm for his occupation as messenger of doom gone ...
... later in the afternoon , when a little parade of people goes by and a woman throws away an ermine stole which lands on a xylophone- player standing near him . Later still , all enthusiasm for his occupation as messenger of doom gone ...
Contents
The Faerie Queene Book I | 6 |
The Metaphysical Poets | 94 |
Paradise Lost | 111 |
Copyright | |
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allegory angels Anodos Beatrice becomes Bible biblical Blake Bunyan C. S. Lewis character Charles Williams Christ Christian fantasy Church Commedia creation Dante Dante's death described desire devil divine dragon Duessa earth eternal evil fact Faerie Queene Fairy Land faith fantastic worlds Faustus Faustus's feel figure further God's Grail Heaven and Hell Hideous Strength Holy human idea imagery imagination invented J. R. R. Tolkien journey Kingsley Kingsley's lady Lewis's Lilith Lion literary literature London look MacDonald Medieval Mephostophilis Milton mind Modern Fantasy moral mystic myth narrative nature North Wind novel Paradise Lost pattern Pearl Perelandra Phantastes picture Pilgrim's Progress planet play poem poet portrays Princess and Curdie Purgatory realise reality Redcrosse Satan science fiction seems seen sense Shardik significance soul Spenser spiritual story supernatural Swedenborg Tamburlaine tells theology things Tolkien true truth University Press Victorian vision Water-Babies whole writers