One Earth, One People: The Mythopoeic Fantasy Series of Ursula K. Le Guin, Lloyd Alexander, Madeleine L'Engle and Orson Scott CardThis work presents the genre of mythopoeic fantasy from a holistic perspective, arguing that this central genre of fantasy literature is largely misunderstood as a result of decades of incomplete and reductionist literary studies. The author asserts that mythopoeic fantasy is not only the most complete literary expression of a worldview based on the existence of supernatural or spiritual powers but that the genre is in a unique position to transform social consciousness with a renewed emphasis on anticipating the future. The author lays out theoretical foundations for his argument in the first four chapters and then demonstrates how the works of fantasy authors Ursula K. LeGuin, Lloyd Alexander, Madeleine L'Engle, and Orson Scott Card exemplify his argument in the remaining four chapters. |
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Page 7
As such , those literary expressions cannot be interpreted on their own terms by reductionist criticism , built as it is upon the foundation of Saussure's , Marx's and Freud's scientific rationalisms , which lack the essential tools of ...
As such , those literary expressions cannot be interpreted on their own terms by reductionist criticism , built as it is upon the foundation of Saussure's , Marx's and Freud's scientific rationalisms , which lack the essential tools of ...
Page 36
The second , even more serious failure of the reductionist approach is that in most cases reductionists spoke about fantasy from within theoretical perspectives which are totally alien to fantasy . I have said that reductionism is ...
The second , even more serious failure of the reductionist approach is that in most cases reductionists spoke about fantasy from within theoretical perspectives which are totally alien to fantasy . I have said that reductionism is ...
Page 41
reductionism and holism , the chief object of contention was not so much fantasy or the fantastic as the nature of ... the first section of this chapter I question the relevance of a number of reductionist interpretations of fantasy .
reductionism and holism , the chief object of contention was not so much fantasy or the fantastic as the nature of ... the first section of this chapter I question the relevance of a number of reductionist interpretations of fantasy .
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Contents
Acknowledgments | 1 |
The Confusion over Fantasy and the Confusions of | 7 |
Theoretical Era | 13 |
Copyright | |
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Alexander Alexander's Alvin American approach argued asserts authors becomes believe called Card Card's century chapter characters Christian claims concept concerned consciousness continue criticism cultural definition Earthsea elements especially essay ethical example existence experience explored expression fact fiction finally future genre Guin Guin's holistic human idea imaginative important individual integral kind knowledge L’Engle L’Engle's land Le Guin Lewis literary literature live matter means mind mode moral myth mythic mythology mythopoeic fantasy narrative nature past perhaps perspective philosophy physical poetic position present proposed psychological quest readers reality reductionist reflects religion religious represent says seen sense social society speaks specific spiritual story structure suggest supernatural Taran theory things tion Tolkien tradition true truth understanding universe vision Welsh whole Wind worldview writing