One Earth, One People: The Mythopoeic Fantasy Series of Ursula K. Le Guin, Lloyd Alexander, Madeleine L'Engle and Orson Scott CardThis work presents the genre of mythopoeic fantasy from a holistic perspective, arguing that this central genre of fantasy literature is largely misunderstood as a result of decades of incomplete and reductionist literary studies. The author asserts that mythopoeic fantasy is not only the most complete literary expression of a worldview based on the existence of supernatural or spiritual powers but that the genre is in a unique position to transform social consciousness with a renewed emphasis on anticipating the future. The author lays out theoretical foundations for his argument in the first four chapters and then demonstrates how the works of fantasy authors Ursula K. LeGuin, Lloyd Alexander, Madeleine L'Engle, and Orson Scott Card exemplify his argument in the remaining four chapters. |
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Page 24
... less preclude it " ( 149 ) . It is also there that in order to discuss fantasy as a func- tion of a form , Hume adopts Frye's categories or mythoi , then his modes , and finally Aristotelian parts of narrative - " plot , character , and ...
... less preclude it " ( 149 ) . It is also there that in order to discuss fantasy as a func- tion of a form , Hume adopts Frye's categories or mythoi , then his modes , and finally Aristotelian parts of narrative - " plot , character , and ...
Page 26
... less positive about genre as a critical tool ( 10 ) . “ [ T ] he genre category , ” he explains does seem to be a useful way of designating stories that are more alike than required by the mode , and yet less uniform than dictated by ...
... less positive about genre as a critical tool ( 10 ) . “ [ T ] he genre category , ” he explains does seem to be a useful way of designating stories that are more alike than required by the mode , and yet less uniform than dictated by ...
Page 217
... less and less alone , more and more tied to the power of nature . It gives them great powers , but cut them off from the natural world and it's gone ” ( Heartfire 122 ) . The black people , finally , “ learn to put [ this power ] into ...
... less and less alone , more and more tied to the power of nature . It gives them great powers , but cut them off from the natural world and it's gone ” ( Heartfire 122 ) . The black people , finally , “ learn to put [ this power ] into ...
Contents
Acknowledgments | 1 |
Theoretical Era | 13 |
Reductionist and Holistic Criticisms in a Battle of Worldviews | 39 |
Copyright | |
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Common terms and phrases
Alexander's American approach archetypal argued asserts Attebery Attebery's believe C.S. Lewis called Card's Celtic century chapter Children's Literature Christian Chronicles Chronicles of Prydain claims concept consciousness contemporary creative cultural dragons dream Earthsea sequence Egoff Essays ethical fantasy example experience explored fairy fantasists fantasy criticism Fantasy Literature genre Guin Guin's High Fantasy holistic critics human idea imaginative Jung Jung's L'Engle's land Lewis Lewis's literary live Lloyd Alexander Madeleine L'Engle magic means mode modern moral Mormon mythic mythology mythopoeia mythopoeic fantasy mythopoesis narrative novels Orson Scott Card past perspective philosophy poetic knowledge present protagonists Prydain psychological Quartet quest readers reality reductionist reflects religion religious says Science Fiction sense specific spiritual story structure suggest supernatural Taoist Taran tasy Tehanu Tenar theme theory things tion Tolkien tradition transcendence trilogy truth unconscious understanding Ursula Ursula K Ursula Le Guin vision Welsh myth Wind worldview Wrinkle writers York