The Olive-branch: A Collection of Sacred Music : to which is Added Music for the Singing-school and Instruction for the Voice ...Thomas J. Cook, T. Edward Perkins |
From inside the book
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Page 3
... hand , called Beats , or Beating Time . § VI . Measures and Parts of Measure . Suppose the following line of poetry to be sung to a series of tones of the same pitch and length : Overseas and over mountains . · • 4 ELEMENTS OF MUSIC ...
... hand , called Beats , or Beating Time . § VI . Measures and Parts of Measure . Suppose the following line of poetry to be sung to a series of tones of the same pitch and length : Overseas and over mountains . · • 4 ELEMENTS OF MUSIC ...
Page 15
... hand during such prolongation must remain stationary at the point it may have reached . The is frequently used with or without the word FINE over a double bar , to mark the close of a composition after a D. C. The SLUR connects notes ...
... hand during such prolongation must remain stationary at the point it may have reached . The is frequently used with or without the word FINE over a double bar , to mark the close of a composition after a D. C. The SLUR connects notes ...
Page 19
... hand , as follows : - Down , Left , Up . We sometimes say , Downward beat , Hither beat , Thither beat . In Triple Measure we accent the first beat , and the second and third beats are said to be unaccented . SINGING - SCHOOL EXERCISES ...
... hand , as follows : - Down , Left , Up . We sometimes say , Downward beat , Hither beat , Thither beat . In Triple Measure we accent the first beat , and the second and third beats are said to be unaccented . SINGING - SCHOOL EXERCISES ...
Page 20
... hand , keeping the tone through it without any emphasis . Watch - man , tell No. 20 . us of the night , What its signs its signs of prom promise are . the 93 In No. 21 , be careful not to let sound be prolonged into the second beat ...
... hand , keeping the tone through it without any emphasis . Watch - man , tell No. 20 . us of the night , What its signs its signs of prom promise are . the 93 In No. 21 , be careful not to let sound be prolonged into the second beat ...
Page 34
... hand would do , and causes the air to flow out with larynx is formed of moving cartilages , and the most prominent are the equality and economy . In the inspiration , the diaphragm contracts Arythnoid cartilages , and termed the ...
... hand would do , and causes the air to flow out with larynx is formed of moving cartilages , and the most prominent are the equality and economy . In the inspiration , the diaphragm contracts Arythnoid cartilages , and termed the ...
Common terms and phrases
ABSOLUTE PITCH Alto BASSINI'S VOCAL EXERCISES beat bless blest breath bright called cheerful Chorus CHROMATIC SCALE clef Cres DIATONIC SCALE Double dwell in thee earth eight ev-ery Falsetto Father fear flat for-ever four gently give you rest glory glottis grace hail half-step happy Hark hath hear my prayer heaven heavenly Ho-ly holy J. M. PELTON Jesus Joy and peace la la la Lamb Lamb of God larynx light Lord loud measure melody mercy merry MINOR SCALE Moderato night o'er octave OMIT peace shall dwell PERMISSION pharynx quarter note reign rejoice Saviour sca sca sca scale sharp sing singer SINGING-SCHOOL EXERCISES smiles Solo Songs of praise Soprano soul sound SPIRITED stayed on thee sung sweet syllable T. J. COOK Tenor thine thou thro throne thy love thy name thy praise Tis the heart Transposition tune voice word Zion
Popular passages
Page 125 - is the work, my God, my King, To praise thy name, give thanks, and sing ; To show thy love by morning light, And talk of all thy truths at night. Sweet is the day of sacred rest ; No mortal care shall seize my breast ; O, may my heart in tune be found, Like David's harp of solemn sound.
Page 158 - sigh, And with him bear a part ! When sorrow flows from eye to eye, And joy from heart to heart. 1. How sweet, how heavenly is the sight, When those who love the Lord In one an-
Page 128 - 2. The dy - ing thief rejoiced to see That fountain in his day ; And there may I, though vile as he, Wash all my sins a - way,
Page 169 - S. Sweet fields, beyond the swelling flood, Stand dressed in living green'; So to the Jews old Ca-naan stood, While Jordan rolled
Page 105 - l. O come, loud anthems let us sing, Loud thanks to our almighty King ! For we our voices high should raise, When our salvation's Rock we praise. i
Page 124 - ( They softly lie, and sweetly sleep, Low in the ground, Low in the ground. ) 2. The storm that sweeps the wintry sky No more disturbs their deep
Page 97 - my God, this night, For all the blessings of the light ; Keep me, 0 keep me, King of kings, Be-neath the
Page 104 - Tis by the faith of joys to come, We walk thro' deserts dark as night ; Till we arrive at heaven, our home, Faith is our guide, and faith our]
Page 190 - г 3. He wept that we might weep. Each sin demands a tear; In heaven alone no sin is found, And there's no weeping there, And there's no weeping