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No term but yields some fair pretence
For novel and increased expense.

Defendant thus becomes a name,
Which he that bore it may disclaim;
Since both, in one description blended,
Are plaintiffs-when the suit is ended.

XV.

THE SILKWORM.

THE beams of April, ere it goes,
A worm scarce visible disclose;
All winter long content to dwell
The tenant of his native shell.
The same prolific season gives
The sustenance by which he lives,
The mulberry leaf, a simple store,
That serves him-till he needs no more!
For, his dimensions once complete,
Thenceforth none ever sees him eat;
Though, till his growing time be pass'd,
Scarce ever is he seen to fast.

That hour arrived, his work begins;

He spins and weaves, and weaves and spins; Till circle upon circle wound

Careless around him and around,

Conceals him with a veil, though slight,

Impervious to the keenest sight.
Thus self enclosed, as in a cask,

At length he finishes his task:

And though a worm, when he was lost,
Or caterpillar at the most,

When next we see him, wings he wears,
And in papilio pomp appears;
Becomes oviparous; supplies

With future worms and future flies
The next ensuing year;-and dies!
Well were it for the world, if all
Who creep about this earthly ball,
Though shorter lived than most he be,
Were useful in their kind as he.

XVI.

THE INNOCENT THIEF.

NOT a flower can be found in the fields,
Or the spot that we till for our pleasure,
From the largest to least, but it yields
The Bee, never wearied, a treasure,

Scarce any she quits unexplored,
With a diligence truly exact;
Yet steal what she may for her hoard,
Leaves evidence none of the fact.

Her lucrative task she pursues,
And pilfers with so much address
That none of their odour they lose,
Nor charm by their beauty the less.

Not thus inoffensively preys

The canker-worm, indwelling foe!
His voracity not thus allays

The sparrow, the finch, or the crow.

The worm, more expensively fed,

The pride of the garden devours;

And birds peck the seed from the bed,
Still less to be spared than the flowers.

But she, with such delicate skill,
Her pillage so fits for her use
That the chemist in vain with his still
Would labour the like to produce.

Then grudge not her temperate meals,
Nor a benefit blame as a theft;

Since, stole she not all that she steals,
Neither honey nor wax would be left.

XVII.

WOMAN.

DENNER'S OLD WOMAN.

IN this mimic form of a matron in years,
How plainly the pencil of Denner appears!
The matron herself, in whose old age we see
Not a trace of decline, what a wonder is she!
No dimness of eye, and no cheek hanging low,
No wrinkle or deep-furrow'd frown on the brow!
Her forehead indeed is here circled around
With locks like the riband with which they are
bound;

262

THE TEARS OF A PAINTER.

While glossy, and smooth, and as soft as the skin
Of a delicate peach, is the down of her chin;
But nothing unpleasant, or sad, or severe,
Or that indicates life in its winter-is here.
Yet all is express'd with fidelity due,
Nor a pimple or freckle conceal'd from the view.
Many fond of new sights, or who cherish a taste
For the labours of art, to the spectacle haste:
The youths all agree, that could old age inspire
The passion of love, hers would kindle the fire,
And the matrons with pleasure confess that they
Ridiculous nothing or hideous in thee. [see
The nymphs for themselves scarcely hope a
decline,

O wonderful woman! as placid as thine.

Strange magic of art! which the youth can engage

To peruse half enamour'd the features of age; And force from the virgin a sigh of despair, That she, when as old, shall be equally fair! How great is the glory that Denner has gain'd, Since Apelles not more for his Venus obtain'd!

XVIII.

THE TEARS OF A PAINTER.

APELLES, hearing that his boy
Had just expired-his only joy!
Although the sight with anguish tore him,
Bade place his dear remains before him.
He seized his brush, his colours spread;
And-Oh! my child, accept-(he said),

("Tis all that I can now bestow),
This tribute of a father's woe!'
Then, faithful to the twofold part
Both of his feelings and his art,
He closed his eyes, with tender care,
And form'd at once a fellow pair;
His brow, with amber locks beset,
And lips he drew, not livid yet;
And shaded all that he had done
To a just image of his son.

Thus far is well.

But view again
The cause of thy paternal pain!
Thy melancholy task fulfil!

It needs the last, last touches still.
Again his pencil's powers he tries,
For on his lips a smile he spies;
And still his cheek unfaded shows
The deepest damask of the rose.
Then, heedful to the finish'd whole,
With fondest eagerness he stole,
Till scarce himself distinctly knew
The cherub copied from the true.

Now, painter, cease! Thy task is done.
Long lives this image of thy son;
Nor shortlived shall thy glory prove,
Or of thy labour or thy love.

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