A General History Of Music: From The Earliest Ages to the Present Period, Volume 4

accompaniment admirable advertiſed almoſt bafe baſe beſt Bologna burletta cantatas celebrated chorus comic opera compofed compofition concert confiderable Cuzzoni divifions duet elegant Emilio del Cavaliere England Engliſh eſtabliſhed excellent expreffion faid fame Farinelli favour favourite fays fcene fcore feafon fecond feems ferious feveral fhall fince finger finging firft firſt folo fome fongs foon fpirited ftage ftill ftyle fubject fuch fugue fung fuperior fymphony graceful greateſt Handel harmony harpsichord Hay-market himſelf houſe inftrumental Italian Italy Jomelli King's theatre laft laſt likewife maſter maſterly meaſure melody minuet moft moſt Mufic mufical drama Muſic muſician muſt Naples occafion opera oratorio overture paffages paffion pathetic perfons performed pleafing pleaſing pleaſure prefent printed profeffors publiſhed recitative repreſentations Rome Scarlatti ſcene ſcore ſeaſon ſeems Senefino ſet ſeveral ſhe ſhort ſhould Signor ſtage ſtill Strada ſtyle ſuch tafte taſte theatre thefe theſe thofe thoſe uſed Venice violin vocal voice whofe whoſe