One Earth, One People: The Mythopoeic Fantasy Series of Ursula K. Le Guin, Lloyd Alexander, Madeleine L'Engle and Orson Scott CardThis work presents the genre of mythopoeic fantasy from a holistic perspective, arguing that this central genre of fantasy literature is largely misunderstood as a result of decades of incomplete and reductionist literary studies. The author asserts that mythopoeic fantasy is not only the most complete literary expression of a worldview based on the existence of supernatural or spiritual powers but that the genre is in a unique position to transform social consciousness with a renewed emphasis on anticipating the future. The author lays out theoretical foundations for his argument in the first four chapters and then demonstrates how the works of fantasy authors Ursula K. LeGuin, Lloyd Alexander, Madeleine L'Engle, and Orson Scott Card exemplify his argument in the remaining four chapters. |
From inside the book
Results 1-3 of 47
Page 42
... the fantastic - uncanny , in which “ events which seem supernatural throughout the story receive a rational explanation at its end ” ( 44 ) ; the fantastic - marvelous , that is “ narratives which are presented as fantastic and that ...
... the fantastic - uncanny , in which “ events which seem supernatural throughout the story receive a rational explanation at its end ” ( 44 ) ; the fantastic - marvelous , that is “ narratives which are presented as fantastic and that ...
Page 81
Whereas most former and latter critics have asserted the congenital relation of fantasy to the supernatural , Waggoner is the first to stress that this relation should be taken as a primary classifying category in any discussions of the ...
Whereas most former and latter critics have asserted the congenital relation of fantasy to the supernatural , Waggoner is the first to stress that this relation should be taken as a primary classifying category in any discussions of the ...
Page 82
While this general principle , according to Waggoner , holds true for all fantasy , fantasists have depicted the supernatural in different emotional colorings and with different stresses on its ways of acting on the story .
While this general principle , according to Waggoner , holds true for all fantasy , fantasists have depicted the supernatural in different emotional colorings and with different stresses on its ways of acting on the story .
What people are saying - Write a review
We haven't found any reviews in the usual places.
Contents
Acknowledgments | 1 |
The Confusion over Fantasy and the Confusions of | 7 |
Theoretical Era | 13 |
Copyright | |
10 other sections not shown
Common terms and phrases
Alexander Alexander's Alvin American approach argued asserts authors becomes believe called Card Card's century chapter characters Christian claims concept concerned consciousness continue criticism cultural definition Earthsea elements especially essay ethical example existence experience explored expression fact fiction finally future genre Guin Guin's holistic human idea imaginative important individual integral kind knowledge L’Engle L’Engle's land Le Guin Lewis literary literature live matter means mind mode moral myth mythic mythology mythopoeic fantasy narrative nature past perhaps perspective philosophy physical poetic position present proposed psychological quest readers reality reductionist reflects religion religious represent says seen sense social society speaks specific spiritual story structure suggest supernatural Taran theory things tion Tolkien tradition true truth understanding universe vision Welsh whole Wind worldview writing