One Earth, One People: The Mythopoeic Fantasy Series of Ursula K. Le Guin, Lloyd Alexander, Madeleine L'Engle and Orson Scott CardThis work presents the genre of mythopoeic fantasy from a holistic perspective, arguing that this central genre of fantasy literature is largely misunderstood as a result of decades of incomplete and reductionist literary studies. The author asserts that mythopoeic fantasy is not only the most complete literary expression of a worldview based on the existence of supernatural or spiritual powers but that the genre is in a unique position to transform social consciousness with a renewed emphasis on anticipating the future. The author lays out theoretical foundations for his argument in the first four chapters and then demonstrates how the works of fantasy authors Ursula K. LeGuin, Lloyd Alexander, Madeleine L'Engle, and Orson Scott Card exemplify his argument in the remaining four chapters. |
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Page 18
This failure is most evident in the generalizing definitions of fantasy , none of which , I feel , works for specific analyses . One consequence of this recognition is the gradual disappearance , in recent works , of a quest for a ...
This failure is most evident in the generalizing definitions of fantasy , none of which , I feel , works for specific analyses . One consequence of this recognition is the gradual disappearance , in recent works , of a quest for a ...
Page 84
... or because it reflects the author's preference for mythic materials and structures ; it is also mythopoeic because it is written in “ the poetics of myth , ” with a specific attitude to its material . If myths can be distinguished ...
... or because it reflects the author's preference for mythic materials and structures ; it is also mythopoeic because it is written in “ the poetics of myth , ” with a specific attitude to its material . If myths can be distinguished ...
Page 227
What it means , however , is that the generic convention of mythopoeic fantasy necessitates a specific mythopoeic attitude to the narrative , a specific quarry for the raw material , a specific concern with the big questions of what it ...
What it means , however , is that the generic convention of mythopoeic fantasy necessitates a specific mythopoeic attitude to the narrative , a specific quarry for the raw material , a specific concern with the big questions of what it ...
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Contents
Acknowledgments | 1 |
The Confusion over Fantasy and the Confusions of | 7 |
Theoretical Era | 13 |
Copyright | |
10 other sections not shown
Common terms and phrases
Alexander Alexander's Alvin American approach argued asserts authors becomes believe called Card Card's century chapter characters Christian claims concept concerned consciousness continue criticism cultural definition Earthsea elements especially essay ethical example existence experience explored expression fact fiction finally future genre Guin Guin's holistic human idea imaginative important individual integral kind knowledge L’Engle L’Engle's land Le Guin Lewis literary literature live matter means mind mode moral myth mythic mythology mythopoeic fantasy narrative nature past perhaps perspective philosophy physical poetic position present proposed psychological quest readers reality reductionist reflects religion religious represent says seen sense social society speaks specific spiritual story structure suggest supernatural Taran theory things tion Tolkien tradition true truth understanding universe vision Welsh whole Wind worldview writing