One Earth, One People: The Mythopoeic Fantasy Series of Ursula K. Le Guin, Lloyd Alexander, Madeleine L'Engle and Orson Scott CardThis work presents the genre of mythopoeic fantasy from a holistic perspective, arguing that this central genre of fantasy literature is largely misunderstood as a result of decades of incomplete and reductionist literary studies. The author asserts that mythopoeic fantasy is not only the most complete literary expression of a worldview based on the existence of supernatural or spiritual powers but that the genre is in a unique position to transform social consciousness with a renewed emphasis on anticipating the future. The author lays out theoretical foundations for his argument in the first four chapters and then demonstrates how the works of fantasy authors Ursula K. LeGuin, Lloyd Alexander, Madeleine L'Engle, and Orson Scott Card exemplify his argument in the remaining four chapters. |
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Page 24
It is also there that in order to discuss fantasy as a function of a form , Hume adopts Frye's categories or mythoi , then his modes , and finally Aristotelian parts of narrative — “ plot , character , and idea ” — thereby creating a ...
It is also there that in order to discuss fantasy as a function of a form , Hume adopts Frye's categories or mythoi , then his modes , and finally Aristotelian parts of narrative — “ plot , character , and idea ” — thereby creating a ...
Page 89
Many mythopoeic writers imply that in the ancient societies with their mythical codes of justice , people were much closer to the realization of this justice than we are now . The pattern of mythic time , finally , is one of the ways in ...
Many mythopoeic writers imply that in the ancient societies with their mythical codes of justice , people were much closer to the realization of this justice than we are now . The pattern of mythic time , finally , is one of the ways in ...
Page 162
Finally , the boy is apprenticed with Annlaw ClayShaper who completes his education . Annlaw not only teaches Taran his craft — from digging , sifting , and kneading clay , through the grinding of pigments , glazing and burning ...
Finally , the boy is apprenticed with Annlaw ClayShaper who completes his education . Annlaw not only teaches Taran his craft — from digging , sifting , and kneading clay , through the grinding of pigments , glazing and burning ...
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Contents
Acknowledgments | 1 |
The Confusion over Fantasy and the Confusions of | 7 |
Theoretical Era | 13 |
Copyright | |
10 other sections not shown
Common terms and phrases
Alexander Alexander's Alvin American approach argued asserts authors becomes believe called Card Card's century chapter characters Christian claims concept concerned consciousness continue criticism cultural definition Earthsea elements especially essay ethical example existence experience explored expression fact fiction finally future genre Guin Guin's holistic human idea imaginative important individual integral kind knowledge L’Engle L’Engle's land Le Guin Lewis literary literature live matter means mind mode moral myth mythic mythology mythopoeic fantasy narrative nature past perhaps perspective philosophy physical poetic position present proposed psychological quest readers reality reductionist reflects religion religious represent says seen sense social society speaks specific spiritual story structure suggest supernatural Taran theory things tion Tolkien tradition true truth understanding universe vision Welsh whole Wind worldview writing