One Earth, One People: The Mythopoeic Fantasy Series of Ursula K. Le Guin, Lloyd Alexander, Madeleine L'Engle and Orson Scott CardThis work presents the genre of mythopoeic fantasy from a holistic perspective, arguing that this central genre of fantasy literature is largely misunderstood as a result of decades of incomplete and reductionist literary studies. The author asserts that mythopoeic fantasy is not only the most complete literary expression of a worldview based on the existence of supernatural or spiritual powers but that the genre is in a unique position to transform social consciousness with a renewed emphasis on anticipating the future. The author lays out theoretical foundations for his argument in the first four chapters and then demonstrates how the works of fantasy authors Ursula K. LeGuin, Lloyd Alexander, Madeleine L'Engle, and Orson Scott Card exemplify his argument in the remaining four chapters. |
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Page 18
This is mystifying in view of the fact that most of those who reflected on fantasy in one way or another were aware of fantasy as more than a genre , or as a more enduring quality of human expression than that manifest in other literary ...
This is mystifying in view of the fact that most of those who reflected on fantasy in one way or another were aware of fantasy as more than a genre , or as a more enduring quality of human expression than that manifest in other literary ...
Page 48
On the other hand this perspective - consistent as it is with her postmodernist claims about the constant escape of fantasy from itself and its forms — accounts for the fact that Armitt is thoroughly and wonderfully elusive and arrives ...
On the other hand this perspective - consistent as it is with her postmodernist claims about the constant escape of fantasy from itself and its forms — accounts for the fact that Armitt is thoroughly and wonderfully elusive and arrives ...
Page 78
... affective power in a society which has to go without initiation rites ( Glossary 69 ) . If Mobley's term did not catch up it was perhaps because the qualifier “ magical ” she chose can , in fact , be applied to most types of fantasy ...
... affective power in a society which has to go without initiation rites ( Glossary 69 ) . If Mobley's term did not catch up it was perhaps because the qualifier “ magical ” she chose can , in fact , be applied to most types of fantasy ...
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Contents
Acknowledgments | 1 |
The Confusion over Fantasy and the Confusions of | 7 |
Theoretical Era | 13 |
Copyright | |
10 other sections not shown
Common terms and phrases
Alexander Alexander's Alvin American approach argued asserts authors becomes believe called Card Card's century chapter characters Christian claims concept concerned consciousness continue criticism cultural definition Earthsea elements especially essay ethical example existence experience explored expression fact fiction finally future genre Guin Guin's holistic human idea imaginative important individual integral kind knowledge L’Engle L’Engle's land Le Guin Lewis literary literature live matter means mind mode moral myth mythic mythology mythopoeic fantasy narrative nature past perhaps perspective philosophy physical poetic position present proposed psychological quest readers reality reductionist reflects religion religious represent says seen sense social society speaks specific spiritual story structure suggest supernatural Taran theory things tion Tolkien tradition true truth understanding universe vision Welsh whole Wind worldview writing
Bibliographic information
| Title | One Earth, One People: The Mythopoeic Fantasy Series of Ursula K. Le Guin, Lloyd Alexander, Madeleine L'Engle and Orson Scott Card Volume 6 of Critical Explorations in Science Fiction and Fantasy |
| Author | Marek Oziewicz |
| Editors | Donald E. Palumbo, C.W. Sullivan III |
| Contributors | Donald E. Palumbo, C.W. Sullivan III |
| Edition | illustrated |
| Publisher | McFarland, Incorporated, Publishers, 2008 |
| Original from | the University of Michigan |
| Digitized | 28 Jun 2008 |
| ISBN | 0786431350, 9780786431359 |
| Length | 263 pages |
| Subjects | › › Literary Criticism / General Literary Criticism / Science Fiction & Fantasy Performing Arts / Film / General |
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