One Earth, One People: The Mythopoeic Fantasy Series of Ursula K. Le Guin, Lloyd Alexander, Madeleine L'Engle and Orson Scott CardThis work presents the genre of mythopoeic fantasy from a holistic perspective, arguing that this central genre of fantasy literature is largely misunderstood as a result of decades of incomplete and reductionist literary studies. The author asserts that mythopoeic fantasy is not only the most complete literary expression of a worldview based on the existence of supernatural or spiritual powers but that the genre is in a unique position to transform social consciousness with a renewed emphasis on anticipating the future. The author lays out theoretical foundations for his argument in the first four chapters and then demonstrates how the works of fantasy authors Ursula K. LeGuin, Lloyd Alexander, Madeleine L'Engle, and Orson Scott Card exemplify his argument in the remaining four chapters. |
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Page 92
... cultural practice which permeates human thinking and most other cultural activities . Against this broad background , in the second part of the chapter , I shall argue for the genre of mythopoeic fantasy as participating in a search for ...
... cultural practice which permeates human thinking and most other cultural activities . Against this broad background , in the second part of the chapter , I shall argue for the genre of mythopoeic fantasy as participating in a search for ...
Page 105
... cultural products manufactured in the “ deep unity ” gestalt . On the contrary , even the critics acknowledge that the undiminishing popularity of those theories reflects the continuing appeal of the universalist belief struc- ture ...
... cultural products manufactured in the “ deep unity ” gestalt . On the contrary , even the critics acknowledge that the undiminishing popularity of those theories reflects the continuing appeal of the universalist belief struc- ture ...
Page 163
... cultural remembering . Annlaw's farewell to Taran – “ Do not for- get us , for we shall not forget you ” —as well as the last paragraph of Wan- derer , are thus good starting points to consider tradition as consciousness of the past ...
... cultural remembering . Annlaw's farewell to Taran – “ Do not for- get us , for we shall not forget you ” —as well as the last paragraph of Wan- derer , are thus good starting points to consider tradition as consciousness of the past ...
Contents
Acknowledgments | 1 |
Theoretical Era | 13 |
Reductionist and Holistic Criticisms in a Battle of Worldviews | 39 |
Copyright | |
9 other sections not shown
Common terms and phrases
Alexander's American approach archetypal argued asserts Attebery Attebery's believe C.S. Lewis called Card's Celtic century chapter Children's Literature Christian Chronicles Chronicles of Prydain claims concept consciousness contemporary creative cultural dragons dream Earthsea sequence Egoff Essays ethical fantasy example experience explored fairy fantasists fantasy criticism Fantasy Literature genre Guin Guin's High Fantasy holistic critics human idea imaginative Jung Jung's L'Engle's land Lewis Lewis's literary live Lloyd Alexander Madeleine L'Engle magic means mode modern moral Mormon mythic mythology mythopoeia mythopoeic fantasy mythopoesis narrative novels Orson Scott Card past perspective philosophy poetic knowledge present protagonists Prydain psychological Quartet quest readers reality reductionist reflects religion religious says Science Fiction sense specific spiritual story structure suggest supernatural Taoist Taran tasy Tehanu Tenar theme theory things tion Tolkien tradition transcendence trilogy truth unconscious understanding Ursula Ursula K Ursula Le Guin vision Welsh myth Wind worldview Wrinkle writers York