The American Prejudice Against Color: William G. Allen, Mary King, Louisa May Alcott

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In 1853, William G. Allen, the "Coloured Professor" of Classics at New York Central College, became engaged to Mary King, a student at the coeducational, racially integrated school and daughter of a local white abolitionist minister. Rumors of their betrothal incited a mob of several hundred men armed with "tar, feathers, poles, and an empty barrel spiked with shingle nails." Allen and King narrowly escaped with their lives, married in New York City, and then fled as fugitives to England and Ireland.

Their love story and brave resistance were recorded in engrossing detail by Allen in two pamphlets-The American Prejudice Against Color: An Authentic Narrative, Showing How Easily the Nation Got into An Uproar (1853) and A Short Personal Narrative (1860). Reproduced here in their entirety, Allen's forthright, eloquent, and ironic accounts, which include excerpts from abolitionist and anti-abolitionist newspaper reports about the incident, drew renewed threats against the exiled pair as well as support from the couple's circle of antislavery friends and allies, a diverse group including Harriet Beecher Stowe, Beriah Green, Gerrit Smith, Reverend Samuel J. May, and George Thompson.

The experiences related by Allen vividly illustrate the rampant fears of "amalgamation" that sparked violent protests in antebellum America. He also reveals white abolitionists' contradictions regarding mixed-race relationships. Also contained in this volume is Louisa May Alcott's M.L., a fictional tale of interracial love based on her familiarity with the Allen-King episode through her abolitionist uncle, the Reverend Samuel J. May. Alcott's story was refused by The Atlantic magazine because, she said, it "might offend the dear South."

An insightful introduction by editor Sarah Elbert places the writings within a historical and cultural context. She details William G. Allen's notable career as a graduate of the Oneida Institute and as an active abolitionist in the network reaching from New York's North Star Country through Boston, Canada, England, and Ireland. In exile, William and Mary King Allen, important members of the trans-Atlantic movement, continued their struggle for "free association" and supported their family by teaching poor children in London.
 

Contents

Introduction
41
Personalities
42
Nobility and Servility
48
The Mob
54
VDark Days
63
Brightening upGrand Result
79
Conclusion
91
Acknowledgments
154
Copyright

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About the author (2002)

Louisa May Alcott was born in Germantown, Pennsylvania, in 1832. Two years later, she moved with her family to Boston and in 1840 to Concord, which was to remain her family home for the rest of her life. Her father, Bronson Alcott, was a transcendentalist and friend of Ralph Waldo Emerson and Henry David Thoreau. Alcott early realized that her father could not be counted on as sole support of his family, and so she sacrificed much of her own pleasure to earn money by sewing, teaching, and churning out potboilers. Her reputation was established with Hospital Sketches (1863), which was an account of her work as a volunteer nurse in Washington, D.C. Alcott's first works were written for children, including her best-known Little Women (1868--69) and Little Men: Life at Plumfield with Jo's Boys (1871). Moods (1864), a "passionate conflict," was written for adults. Alcott's writing eventually became the family's main source of income. Throughout her life, Alcott continued to produce highly popular and idealistic literature for children. An Old-Fashioned Girl (1870), Eight Cousins (1875), Rose in Bloom (1876), Under the Lilacs (1878), and Jack and Jill (1881) enjoyed wide popularity. At the same time, her adult fiction, such as the autobiographical novel Work: A Story of Experience (1873) and A Modern Mephistopheles (1877), a story based on the Faust legend, shows her deeper concern with such social issues as education, prison reform, and women's suffrage. She realistically depicts the problems of adolescents and working women, the difficulties of relationships between men and women, and the values of the single woman's life.