From Chaucer to TennysonReproduction of the original: From Chaucer to Tennyson by Henry A. Beers |
Contents
Section 1 | 1 |
Section 2 | 20 |
Section 3 | 41 |
Section 4 | 70 |
Section 5 | 93 |
Section 6 | 112 |
Section 7 | 130 |
Section 8 | 157 |
Section 23 | 224 |
Section 24 | 226 |
Section 25 | 228 |
Section 26 | 231 |
Section 27 | 233 |
Section 28 | 237 |
Section 29 | 238 |
Section 30 | 243 |
Section 9 | 177 |
Section 10 | 185 |
Section 11 | 186 |
Section 12 | 188 |
Section 13 | 195 |
Section 14 | 199 |
Section 15 | 202 |
Section 16 | 205 |
Section 17 | 211 |
Section 18 | 213 |
Section 19 | 215 |
Section 20 | 218 |
Section 21 | 220 |
Section 22 | 222 |
Section 31 | 245 |
Section 32 | 247 |
Section 33 | 249 |
Section 34 | 252 |
Section 35 | 255 |
Section 36 | 256 |
Section 37 | 259 |
Section 38 | 263 |
Section 39 | 266 |
Section 40 | 269 |
Section 41 | 272 |
Section 42 | 277 |
Other editions - View all
Common terms and phrases
affections appeared ballads beauty became called century character Chaucer Church comedy court critical death drama Dryden early edition Elizabethan England English essays example expression eyes fair fall fashion feeling figure followed French genius give hand heart Henry hero human humor imagination Italy John kind King Lady language later Latin learned leaves less letters light lines literary literature lived London Lost lyrical manner Milton mind nature never night novel once original passages passed passion perhaps pieces plays poem poet poetry Pope prose published pure Queen reader romance satire sense Shakspere Shakspere’s song spirit stage story studies style sweet thee things Thomas thou thought took touch tragedy translation true turned verse whole wild writings written wrote young