Milton, Spenser and The Chronicles of Narnia: Literary Sources for the C.S. Lewis NovelsIn 1950, Clive Staples Lewis published the first in a series of children's stories that became The Chronicles of Narnia. The now vastly popular Chronicles are a widely known testament to the religious and moral principles that Lewis embraced in his later life. What many readers and viewers do not know about the Chronicles is that a close reading of the seven-book series reveals the strikingly effective influences of literary sources as diverse as George MacDonald's fantastic fiction and the courtly love poetry of the High Middle Ages. Arguably the two most influential sources for the series are Edmund Spenser's The Faerie Queen and John Milton's Paradise Lost. Lewis was so personally intrigued by these two particular pieces of literature that he became renowned for his scholarly studies of both Milton and Spenser. This book examines the important ways in which Lewis so clearly echoes The Faerie Queen and Paradise Lost, and how the elements of each work together to convey similar meanings. Most specifically, the chapters focus on the telling interweavings that can be seen in the depiction of evil, female characters, fantastic and symbolic landscapes and settings, and the spiritual concepts so personally important to C.S. Lewis. |
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... God was God” in ¡929 at the age of 3¡. It would be two more years until he fully accepted Christianity in ¡93¡ while riding to the Whipsnade Zoo in the sidecar of his brother Warren's motorcycle: “When we set out I did not believe that ...
... God to man” (PL I.26). Though some of the works' similarities stem from the authors' common goals and from biblical and Christian traditions, there are patterns of similarity that reveal even deeper and more subtle connections. While ...
... God to keep us safe from ourselves ... the second asking protection from the outside.” These two kinds of moral danger add depth and reality to the peril faced by Lewis's protagonists. The influences of The Faerie Queene and Paradise ...
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Contents
17 | |
The Depiction of Evil Men Mortals Monsters and Misled Protagonists | 51 |
Girls Whose Heads Have Something Inside Them The Characterization of Women | 77 |
An Inside Bigger Than Its Outside Setting and Geography | 107 |
Knowing Him Better There Spirituality and Belief | 135 |
Conclusion | 159 |
Chapter Notes | 163 |
Bibliography | 177 |
Index | 183 |