Cinematic Identity: Anatomy of a Problem FilmU of Minnesota Press - 189 pages |
Contents
1 | |
2 In the Hearts of Men | 21 |
3 Censorship and the Problem Films | 47 |
The Performing American | 81 |
Black and White Americans on Film | 107 |
A SYNOPSIS | 139 |
NOTES | 143 |
173 | |
FILMOGRAPHY | 179 |
181 | |
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Common terms and phrases
acting style activists African Americans anti anti-Semitism argued Aunt Dicey Black actors Black body Black experience Black woman blackfaced Burstyn censored censorship character cinema citizen citizenship communist critical cultural différend Director discourse Elia Kazan emerged emotions entertainment Ethel Waters ethical figure film censorship film’s gender genre Gentleman's Agreement gestures Hays Code heterosexuality Hobson Hollywood homosexual HUAC iconic idea identification identity images Imitation indexical issues Jeanne Crain kiss Laura Z logic Lundigan Lyotard masculinity means melodrama Method acting miscegenation Miss Em’s moral narrative nation Negro one’s pain particular passing performance person Pinky Pinky's play plot political popular post-World prejudice Press problem films produced queer race relations racial racism rape representation role Rorty scene semiotic sexual social space specific story suggest theory tion understanding University viewers violence Waters's white Americans white audiences William Lundigan women York