FRANCES RIDLEY HAVERGAL HIS is truly an attractive name in TH later English hymnology. It is a name as tenderly beloved by American churches as by Christian worshippers of her native land. Miss Havergal was the daughter of the Rev. William Henry Havergal, vicar of Astley, Worcestershire, England, who himself was a writer of several good hymns and a composer of much acceptable sacred music. To show the wonderful gifts of this saintly woman I quote a paragraph from my "Hymns Historically Famous": "A study of her short life reminds us that she could read at three; that she wrote verses at seven with remarkable fluency; that in her girlhood days she knew the whole of the New Testament, the Psalms, and Isaiah by heart, and afterwards memorized the Minor Prophets; that when fourteen years old she had a glowing spiritual enthusiasm ; that she early acquired the French, German, Italian, Latin, Greek, and Hebrew languages; that she daily read the Old and New Testaments in the original; that she could play through Handel and much of Mendelssohn and Beethoven without notes; that she had a sweet singing voice and was a reputable composer; and that in her school days, though having a frail constitution, she climbed the Swiss Mountains that she might revel in the scene of perpetual snow." Miss Havergal's physical qualities were never strong, and her mental activity which many times was extremely severe, brought on rapid bodily decline, and in 1879, when she had just passed her fortieth year, she entered immortality. Five years before Miss Havergal passed away she wrote the following consecration hymn which may be commended as one of the finest of its class: Take my life, and let it be Take my hands and let them move Take my voice, and let me sing Take my silver and my gold, Take my will and make it Thine; Take my love: my Lord, I pour The hymn is not only popular with English and American churches, but it has been rendered into nearly all European languages, and is even sung in the tongues of the Africans and the Asiatics. In 1872 Miss Havergal wrote "A Worker's Prayer" which in poetic purity and spiritual beauty is not less admirable than her consecration hymn. In some prints it has been badly marred; but the text, as it came warm from the heart of its author, is as follows: Lord, speak to me, that I may speak Oh, lead me, Lord, that I may lead Thy hungering ones with manna sweet. I may stretch out a loving hand To wrestlers with the troubled sea. Oh, teach me, Lord, that I may teach The precious things Thou dost impart ; Oh, give Thine own sweet rest to me, A word in season, as from Thee, Oh, fill me with Thy fulness, Lord, Oh, use me, Lord, use even me Just as Thou wilt, and when, and where, Until Thy blessèd face I see, Thy rest, Thy joy, Thy glory share. Her hymn on "The New Year" is very lovely: Another year is dawning, Dear Master, let it be, Another year of leaning Another year of mercies, Of faithfulness and grace; In the shining of Thy face. Another year of progress, Another year of proving |