Frances Jane Crosby Van Alstyne songs which now numbers not far, it is said, from three thousand. Her best known piece is "Safe in the Arms of Jesus," but by no means is it her most meritorious production. "Rescue the Perishing," written as far back as 1869, is popular, and has been very effective in many evangelistic and reform movements. in America and Great Britain. It is somewhat of a wonder that this is the only hymn written by Mrs. Van Alstyne that has thus far been included in any recent church hymnal of prominence; it is found in the temperance department of "In Excelsis." It is true that Mrs. Van Alstyne's chief thought has run on the plane of "gospel songs," but at times she has risen to a higher standard of poetic feeling, as will be seen from the following hymn found in her "Bells at Evening," published by the Biglow & Main Company: Great is Jehovah, King of kings! Oh, magnify His name; Praise Him, ye nations of the earth, His mighty works proclaim; When darkness hovered o'er the deep, Great is Jehovah, King of kings! In joyful concert rang; Glory to Him whose boundless love Our sacrifice was made! With Him we die, through Him we rise; This hymn has a meritorious ring, and is good enough to claim inclusion in our better class of hymnals. Several of Mrs. Van Alstyne's songs perhaps a dozen or more - are worthy of admission in public worship; but editors of later church hymnals do not seem to share in this appreciation of Frances Jane Crosby Van Alstyne her finer, though less familiar hymns, and hence have passed them by. I think it was in 1897 that Mrs. Van Alstyne wrote the following Easter poem for "The New York Press": "Hallelujah! Christ hath risen!" Ye who once proclaimed His birth! "Hallelujah! Christ hath risen!” Leading every true believer Where the troubled waves shall cease. Ring the bells in tuneful chime! 'Tis the day of our redemption; Bring the fragrant Easter lilies, And the gloom of night has fled! "He who liveth and was dead." "Hallelujah! Christ hath risen!" Dwell with Him beyond the skies. This is one of the best pieces that have flowed from Mrs. Van Alstyne's wondrous wellspring of sacred song, and it may be appropriately classed among the more suitable hymns for public use at Easter time. CECIL FRANCES ALEXANDER OME one has said that the reason SOM why a woman's poetry is generally true to nature and humanity so far as she touches it is that she is throughout tender, "for tenderness is a deep characteristic of truth." Mrs. Alexander was always in touch with the thoughts and feelings of children, and being indued with fine poetic gifts, she surpassed all other writers of sacred song in meeting a growing demand for children's hymns - hymns attractive in their simplicity, picturesqueness, and pathos, and yet without blemish in hymnic beauty. Mrs. Alexander, whose maiden name was Humphreys, was born at Strabane, Ireland, in 1823. In 1850 she was married to the Rev. William Alexander, afterwards bishop of Derry and Raphoe. Her volume of verses for the use of schools was |