Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein. |
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Page 261
This mixture of scepticism and belief may give strength to his faith , but it is unusual among modern writers in admitting the draught from outside . - There is a sense in all this division , in this painful separation of man from God ...
This mixture of scepticism and belief may give strength to his faith , but it is unusual among modern writers in admitting the draught from outside . - There is a sense in all this division , in this painful separation of man from God ...
Page 262
18 Other Writers There is a surprisingly wide range of modern fantasies and science- fiction works on religious topics involving the ' supernatural ' , even if there are few plainly Christian fantasies of any stature , apart from those ...
18 Other Writers There is a surprisingly wide range of modern fantasies and science- fiction works on religious topics involving the ' supernatural ' , even if there are few plainly Christian fantasies of any stature , apart from those ...
Page 344
... 216-17 , 235–6 , 241-2 , 252 , 261 , 280-1 , 286–7 , 300 , 301-2 ; term ' Christian fantasy ' justified , 1-3 ; the Bible itself as Christian fantasy , 1-3 ; writers of Christian fantasy themselves often see it as drawing on truth ...
... 216-17 , 235–6 , 241-2 , 252 , 261 , 280-1 , 286–7 , 300 , 301-2 ; term ' Christian fantasy ' justified , 1-3 ; the Bible itself as Christian fantasy , 1-3 ; writers of Christian fantasy themselves often see it as drawing on truth ...
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Contents
Introduction | 1 |
The French Queste del Saint Graal 122 | 12 |
The Commedia | 21 |
Copyright | |
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acts allegory angels appears become beginning believe body called century certainly character Charles Christ Christian fantasy Church City comes concerned continually course created creation Dante death described desire devil direct divine earth evil existence experience expresses fact fairy faith fall Faustus feel fiction figure final further give given God's heaven Hell Holy human idea imagery imagination journey Kingsley Land later less Lewis literature live London look lost MacDonald means mind move narrative nature never novel once Paradise pattern Pearl perhaps physical picture Pilgrim's play poem portrays present Progress reality Redcrosse relation seems seen sense significance soul spiritual story suggests supernatural Swedenborg tells things thought true truth turn University Press vision Water-Babies whole writers