Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein. |
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Page 4
because the story of the Gospels is in the mode of a fantasy , and a fantasy which entered history and became true : ' Art has been verified . God is the Lord , of angels , and of men - and of elves . Legend and History have met and ...
because the story of the Gospels is in the mode of a fantasy , and a fantasy which entered history and became true : ' Art has been verified . God is the Lord , of angels , and of men - and of elves . Legend and History have met and ...
Page 68
Duessa hides her true nature from Redcrosse and fools him as she for long fooled Fradubio . The palace of Lucifera looks solid and magnificent , covered with gold ; but we are told that its back parts are much decayed and cunningly ...
Duessa hides her true nature from Redcrosse and fools him as she for long fooled Fradubio . The palace of Lucifera looks solid and magnificent , covered with gold ; but we are told that its back parts are much decayed and cunningly ...
Page 267
... Bely's Petersburg.13 It is true that in Petersburg Christ does make an occasional appearance ( as enigmatically as ... 14 true too that the vision of Petersburg is of a world of fragments , emptied of spiritual content – provocative ...
... Bely's Petersburg.13 It is true that in Petersburg Christ does make an occasional appearance ( as enigmatically as ... 14 true too that the vision of Petersburg is of a world of fragments , emptied of spiritual content – provocative ...
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Contents
Introduction | 1 |
The French Queste del Saint Graal 122 | 12 |
The Commedia | 21 |
Copyright | |
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acts allegory angels appears become beginning believe body called century certainly character Charles Christ Christian fantasy Church City comes concerned continually course created creation Dante death described desire devil direct divine earth evil existence experience expresses fact fairy faith fall Faustus feel fiction figure final further give given God's heaven Hell Holy human idea imagery imagination journey Kingsley Land later less Lewis literature live London look lost MacDonald means mind move narrative nature never novel once Paradise pattern Pearl perhaps physical picture Pilgrim's play poem portrays present Progress reality Redcrosse relation seems seen sense significance soul spiritual story suggests supernatural Swedenborg tells things thought true truth turn University Press vision Water-Babies whole writers