Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein. |
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Page 42
He bemoans his loss to her , tells of his misery and asks her to return with him . She tells him he is ignorant of where he is and what she is . She tells him that when she died she was taken to heaven and now lives as a queen in the ...
He bemoans his loss to her , tells of his misery and asks her to return with him . She tells him he is ignorant of where he is and what she is . She tells him that when she died she was taken to heaven and now lives as a queen in the ...
Page 86
He tells himself to ' sound the depth of that thou wilt professe ' ( he often thus addresses himself as someone else ) : he does not know to what depths that will lead him . He bids himself apply his selected branch of learning to being ...
He tells himself to ' sound the depth of that thou wilt professe ' ( he often thus addresses himself as someone else ) : he does not know to what depths that will lead him . He bids himself apply his selected branch of learning to being ...
Page 140
In the same way he tells us that in heaven we shall retain our senses ... Or , in another mode , Swedenborg can tell man that his self will continue in heaven , but that the only way to get there is to do without self .
In the same way he tells us that in heaven we shall retain our senses ... Or , in another mode , Swedenborg can tell man that his self will continue in heaven , but that the only way to get there is to do without self .
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Contents
Introduction | 1 |
The French Queste del Saint Graal 122 | 12 |
The Commedia | 21 |
Copyright | |
17 other sections not shown
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acts allegory angels appears become beginning believe body called century certainly character Charles Christ Christian fantasy Church City comes concerned continually course created creation Dante death described desire devil direct divine earth evil existence experience expresses fact fairy faith fall Faustus feel fiction figure final further give given God's heaven Hell Holy human idea imagery imagination journey Kingsley Land later less Lewis literature live London look lost MacDonald means mind move narrative nature never novel once Paradise pattern Pearl perhaps physical picture Pilgrim's play poem portrays present Progress reality Redcrosse relation seems seen sense significance soul spiritual story suggests supernatural Swedenborg tells things thought true truth turn University Press vision Water-Babies whole writers