Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein. |
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Page 236
He suggests that the world of his story is to be seen as ' nature ' rather than ' art ' , and he gives a model of what we can do for ourselves by the same means in the scarce - different world outside . ( The individual actions of his ...
He suggests that the world of his story is to be seen as ' nature ' rather than ' art ' , and he gives a model of what we can do for ourselves by the same means in the scarce - different world outside . ( The individual actions of his ...
Page 294
The apocalypse that comes is harsh and violent in sound and sight : this suggests that it partakes in the coarse nature of the world on which it intrudes . Yet it cannot be denied that the story conveys an air of terrible longing for ...
The apocalypse that comes is harsh and violent in sound and sight : this suggests that it partakes in the coarse nature of the world on which it intrudes . Yet it cannot be denied that the story conveys an air of terrible longing for ...
Page 321
There have been those who suggest that Bunyan suspended his elective and predestinarian theology here : Nick Davis ... 224-64 , suggests that Bunyan continually subverts his narrative so that our illusion of forward motion is exposed .
There have been those who suggest that Bunyan suspended his elective and predestinarian theology here : Nick Davis ... 224-64 , suggests that Bunyan continually subverts his narrative so that our illusion of forward motion is exposed .
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Contents
Introduction | 1 |
The French Queste del Saint Graal 122 | 12 |
The Commedia | 21 |
Copyright | |
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acts allegory angels appears become beginning believe body called century certainly character Charles Christ Christian fantasy Church City comes concerned continually course created creation Dante death described desire devil direct divine earth evil existence experience expresses fact fairy faith fall Faustus feel fiction figure final further give given God's heaven Hell Holy human idea imagery imagination journey Kingsley Land later less Lewis literature live London look lost MacDonald means mind move narrative nature never novel once Paradise pattern Pearl perhaps physical picture Pilgrim's play poem portrays present Progress reality Redcrosse relation seems seen sense significance soul spiritual story suggests supernatural Swedenborg tells things thought true truth turn University Press vision Water-Babies whole writers