Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein. |
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Page 56
Thus only if he has biblical knowledge and some understanding of , not to say involvement in , the Christian faith and its practice , will he begin to comprehend the full meaning of Lucifera , the significance of Archimago or the ...
Thus only if he has biblical knowledge and some understanding of , not to say involvement in , the Christian faith and its practice , will he begin to comprehend the full meaning of Lucifera , the significance of Archimago or the ...
Page 112
It is ironic so long as we attend only to the sexual significance of the image . But , if we know anything of C. G. Jung's famous The Archetypes and the Collective Unconscious , then we will know too of mandalas and their origins.16 ...
It is ironic so long as we attend only to the sexual significance of the image . But , if we know anything of C. G. Jung's famous The Archetypes and the Collective Unconscious , then we will know too of mandalas and their origins.16 ...
Page 200
In short , Kingsley has imposed some of the supernatural significance on his story after the fact ; and all his additions are for this purpose . Here we see evidence that Kingsley was not sure that his readers would see the mystical or ...
In short , Kingsley has imposed some of the supernatural significance on his story after the fact ; and all his additions are for this purpose . Here we see evidence that Kingsley was not sure that his readers would see the mystical or ...
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Contents
Introduction | 1 |
The French Queste del Saint Graal 122 | 12 |
The Commedia | 21 |
Copyright | |
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acts allegory angels appears become beginning believe body called century certainly character Charles Christ Christian fantasy Church City comes concerned continually course created creation Dante death described desire devil direct divine earth evil existence experience expresses fact fairy faith fall Faustus feel fiction figure final further give given God's heaven Hell Holy human idea imagery imagination journey Kingsley Land later less Lewis literature live London look lost MacDonald means mind move narrative nature never novel once Paradise pattern Pearl perhaps physical picture Pilgrim's play poem portrays present Progress reality Redcrosse relation seems seen sense significance soul spiritual story suggests supernatural Swedenborg tells things thought true truth turn University Press vision Water-Babies whole writers