Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein. |
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Page 215
Williams belonged to the Church from the start , and never ' doubted ' in the sense in which that term is generally understood . What he did was embrace doubt as an essential part of the living dialectic of his faith : agnosticism ...
Williams belonged to the Church from the start , and never ' doubted ' in the sense in which that term is generally understood . What he did was embrace doubt as an essential part of the living dialectic of his faith : agnosticism ...
Page 217
The remarkable thing about Williams is how much of a sense of the supernatural he has as active within this world . So much is this the case that in his life and work both he seems to have been engaged on a kind of continuous mystical ...
The remarkable thing about Williams is how much of a sense of the supernatural he has as active within this world . So much is this the case that in his life and work both he seems to have been engaged on a kind of continuous mystical ...
Page 222
In a sense we could say that Williams ' novels grow progressively less ' other ' , or ' fantastic ' , in the transcendental sense . Now his vision is more incarnational : now the supernatural in its naked form is seen as dangerous more ...
In a sense we could say that Williams ' novels grow progressively less ' other ' , or ' fantastic ' , in the transcendental sense . Now his vision is more incarnational : now the supernatural in its naked form is seen as dangerous more ...
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Contents
Introduction | 1 |
The French Queste del Saint Graal 122 | 12 |
The Commedia | 21 |
Copyright | |
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acts allegory angels appears become beginning believe body called century certainly character Charles Christ Christian fantasy Church City comes concerned continually course created creation Dante death described desire devil direct divine earth evil existence experience expresses fact fairy faith fall Faustus feel fiction figure final further give given God's heaven Hell Holy human idea imagery imagination journey Kingsley Land later less Lewis literature live London look lost MacDonald means mind move narrative nature never novel once Paradise pattern Pearl perhaps physical picture Pilgrim's play poem portrays present Progress reality Redcrosse relation seems seen sense significance soul spiritual story suggests supernatural Swedenborg tells things thought true truth turn University Press vision Water-Babies whole writers