Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein. |
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Page 19
... ised as the deepest part of the soul - where one may come across a magic ship which will take one to the holy castle of Corbenic.13 If the ' natural ' is a delusion to be seen through , the supernatural is often all too real .
... ised as the deepest part of the soul - where one may come across a magic ship which will take one to the holy castle of Corbenic.13 If the ' natural ' is a delusion to be seen through , the supernatural is often all too real .
Page 96
The reversal of the poem , seen thus , symbolises God's apparent reversal of Himself . In this way the violence of ' metaphysical conceit ' , yoking together opposite ideas , could be viewed as exactly matching the inmost character of ...
The reversal of the poem , seen thus , symbolises God's apparent reversal of Himself . In this way the violence of ' metaphysical conceit ' , yoking together opposite ideas , could be viewed as exactly matching the inmost character of ...
Page 139
... but Swedenborg's reasons for his approach can be seen to be quite the reverse , for it is his object to heighten the ' supernatural ' element , to reawaken man to the afterlife of heaven and hell to which he is directed .
... but Swedenborg's reasons for his approach can be seen to be quite the reverse , for it is his object to heighten the ' supernatural ' element , to reawaken man to the afterlife of heaven and hell to which he is directed .
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Contents
Introduction | 1 |
The French Queste del Saint Graal 122 | 12 |
The Commedia | 21 |
Copyright | |
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acts allegory angels appears become beginning believe body called century certainly character Charles Christ Christian fantasy Church City comes concerned continually course created creation Dante death described desire devil direct divine earth evil existence experience expresses fact fairy faith fall Faustus feel fiction figure final further give given God's heaven Hell Holy human idea imagery imagination journey Kingsley Land later less Lewis literature live London look lost MacDonald means mind move narrative nature never novel once Paradise pattern Pearl perhaps physical picture Pilgrim's play poem portrays present Progress reality Redcrosse relation seems seen sense significance soul spiritual story suggests supernatural Swedenborg tells things thought true truth turn University Press vision Water-Babies whole writers