Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein. |
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Page 61
Seen thus , it can be said that Spenser ' meant ' his narrative to seem at variance with his meaning . It seems so clear , so much to answer to the character of the poem , that this reading seems the ' right ' one .
Seen thus , it can be said that Spenser ' meant ' his narrative to seem at variance with his meaning . It seems so clear , so much to answer to the character of the poem , that this reading seems the ' right ' one .
Page 95
Looked at one way , the poem seems fundamentally dialectical : it seems to play one kind of vision against another . Thus the vastness of eternity and of the infinity of souls , pouring across line ends , collecting all creation in its ...
Looked at one way , the poem seems fundamentally dialectical : it seems to play one kind of vision against another . Thus the vastness of eternity and of the infinity of souls , pouring across line ends , collecting all creation in its ...
Page 266
For Bulgakov - as for Blake truth seems to lie in ceaseless movement between different positions , symbolised in the mobility , deceptiveness and ground - removing wit of his devils . God exists and does not ; Jesus is real and ...
For Bulgakov - as for Blake truth seems to lie in ceaseless movement between different positions , symbolised in the mobility , deceptiveness and ground - removing wit of his devils . God exists and does not ; Jesus is real and ...
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Contents
Introduction | 1 |
The French Queste del Saint Graal 122 | 12 |
The Commedia | 21 |
Copyright | |
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acts allegory angels appears become beginning believe body called century certainly character Charles Christ Christian fantasy Church City comes concerned continually course created creation Dante death described desire devil direct divine earth evil existence experience expresses fact fairy faith fall Faustus feel fiction figure final further give given God's heaven Hell Holy human idea imagery imagination journey Kingsley Land later less Lewis literature live London look lost MacDonald means mind move narrative nature never novel once Paradise pattern Pearl perhaps physical picture Pilgrim's play poem portrays present Progress reality Redcrosse relation seems seen sense significance soul spiritual story suggests supernatural Swedenborg tells things thought true truth turn University Press vision Water-Babies whole writers