Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein. |
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Page 71
Indeed the last is quite instructive , for in The Lion , the Witch and the Wardrobe Lewis has created a wholly ' other ' world - though no more ' other ' than our own is in relation to it - in which a series of adventures occur which ...
Indeed the last is quite instructive , for in The Lion , the Witch and the Wardrobe Lewis has created a wholly ' other ' world - though no more ' other ' than our own is in relation to it - in which a series of adventures occur which ...
Page 231
But he is unlike MacDonald - and Eliot too in that the knowledge of what one is is found in relationship . ... By virtue of this larger relation the ' good ' do not need to act , though they must choose : if they choose to put ...
But he is unlike MacDonald - and Eliot too in that the knowledge of what one is is found in relationship . ... By virtue of this larger relation the ' good ' do not need to act , though they must choose : if they choose to put ...
Page 323
Its effects upon his personality are educative rather than instructional and Christian's relation to it , his regret at leaving it , his joy on finding it again , his total , unanalytical acceptance of it , is like a loving relation ...
Its effects upon his personality are educative rather than instructional and Christian's relation to it , his regret at leaving it , his joy on finding it again , his total , unanalytical acceptance of it , is like a loving relation ...
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Contents
Introduction | 1 |
The French Queste del Saint Graal 122 | 12 |
The Commedia | 21 |
Copyright | |
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acts allegory angels appears become beginning believe body called century certainly character Charles Christ Christian fantasy Church City comes concerned continually course created creation Dante death described desire devil direct divine earth evil existence experience expresses fact fairy faith fall Faustus feel fiction figure final further give given God's heaven Hell Holy human idea imagery imagination journey Kingsley Land later less Lewis literature live London look lost MacDonald means mind move narrative nature never novel once Paradise pattern Pearl perhaps physical picture Pilgrim's play poem portrays present Progress reality Redcrosse relation seems seen sense significance soul spiritual story suggests supernatural Swedenborg tells things thought true truth turn University Press vision Water-Babies whole writers