Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein. |
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Page 46
Thus a poem which so much insists on Christ's sacrifice for man does not portray a bridge between the two realms ... In that sense the very absence of the spark between heaven and earth portrays the need for it ; and the poem can thus ...
Thus a poem which so much insists on Christ's sacrifice for man does not portray a bridge between the two realms ... In that sense the very absence of the spark between heaven and earth portrays the need for it ; and the poem can thus ...
Page 159
By thus praising God's power as a maker , and portraying it through their own invented worlds , each of these writers implicitly begs the question of the status of his own fantasy : if it can portray divine creativity , then does it not ...
By thus praising God's power as a maker , and portraying it through their own invented worlds , each of these writers implicitly begs the question of the status of his own fantasy : if it can portray divine creativity , then does it not ...
Page 253
Lewis is not simply concerned with the portrayal of otherness or the desirable for their own sakes . ... But in a sense every one of Lewis's books which portrays growing contact with the super- natural or a journey towards it relives ...
Lewis is not simply concerned with the portrayal of otherness or the desirable for their own sakes . ... But in a sense every one of Lewis's books which portrays growing contact with the super- natural or a journey towards it relives ...
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Contents
Introduction | 1 |
The French Queste del Saint Graal 122 | 12 |
The Commedia | 21 |
Copyright | |
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acts allegory angels appears become beginning believe body called century certainly character Charles Christ Christian fantasy Church City comes concerned continually course created creation Dante death described desire devil direct divine earth evil existence experience expresses fact fairy faith fall Faustus feel fiction figure final further give given God's heaven Hell Holy human idea imagery imagination journey Kingsley Land later less Lewis literature live London look lost MacDonald means mind move narrative nature never novel once Paradise pattern Pearl perhaps physical picture Pilgrim's play poem portrays present Progress reality Redcrosse relation seems seen sense significance soul spiritual story suggests supernatural Swedenborg tells things thought true truth turn University Press vision Water-Babies whole writers