Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein. |
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Page 49
But now the stones are evidently symbolic : they are of spiritual , not material value.14 Arguably the landscapes of the poem take the form that they do because of this theme . Because the jeweller is blinded by the material value of ...
But now the stones are evidently symbolic : they are of spiritual , not material value.14 Arguably the landscapes of the poem take the form that they do because of this theme . Because the jeweller is blinded by the material value of ...
Page 151
In this way he enacts in miniature the tension portrayed in the poem . More largely , we may notice how much the poem as a whole is set within caves and interiors , even while it recommends the explosion outwards of energy and ...
In this way he enacts in miniature the tension portrayed in the poem . More largely , we may notice how much the poem as a whole is set within caves and interiors , even while it recommends the explosion outwards of energy and ...
Page 152
it mingles energetic vision , of the sort that we see in the opening poem , with direct and explicit discourse : in this way the first five chambers of the printing - house of hell oscillate with the sixth , that which transforms fiery ...
it mingles energetic vision , of the sort that we see in the opening poem , with direct and explicit discourse : in this way the first five chambers of the printing - house of hell oscillate with the sixth , that which transforms fiery ...
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Contents
Introduction | 1 |
The French Queste del Saint Graal 122 | 12 |
The Commedia | 21 |
Copyright | |
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acts allegory angels appears become beginning believe body called century certainly character Charles Christ Christian fantasy Church City comes concerned continually course created creation Dante death described desire devil direct divine earth evil existence experience expresses fact fairy faith fall Faustus feel fiction figure final further give given God's heaven Hell Holy human idea imagery imagination journey Kingsley Land later less Lewis literature live London look lost MacDonald means mind move narrative nature never novel once Paradise pattern Pearl perhaps physical picture Pilgrim's play poem portrays present Progress reality Redcrosse relation seems seen sense significance soul spiritual story suggests supernatural Swedenborg tells things thought true truth turn University Press vision Water-Babies whole writers