Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein. |
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Page 82
There is little about Faustus for much of the play to awaken our sympathy or admiration . Our involvement with him grows to the extent that he grows in the spiritual awareness of his position . And our sense of waste comes from the loss ...
There is little about Faustus for much of the play to awaken our sympathy or admiration . Our involvement with him grows to the extent that he grows in the spiritual awareness of his position . And our sense of waste comes from the loss ...
Page 89
The question of who is ' running the show ' is one that is continually present in this play . The very subject of learning that Faustus chooses to permit him to change the world is the one that offers that urge least scope .
The question of who is ' running the show ' is one that is continually present in this play . The very subject of learning that Faustus chooses to permit him to change the world is the one that offers that urge least scope .
Page 350
... hollowing out ' and shrinkage in the play , 82–9 ; magical use of words in the play , 84 ; the true author of the ... dwindling of imagination in both plays , 73-4 ; Tamburlaine's imagination less blasphemous than that of Faustus ...
... hollowing out ' and shrinkage in the play , 82–9 ; magical use of words in the play , 84 ; the true author of the ... dwindling of imagination in both plays , 73-4 ; Tamburlaine's imagination less blasphemous than that of Faustus ...
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Contents
Introduction | 1 |
The French Queste del Saint Graal 122 | 12 |
The Commedia | 21 |
Copyright | |
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acts allegory angels appears become beginning believe body called century certainly character Charles Christ Christian fantasy Church City comes concerned continually course created creation Dante death described desire devil direct divine earth evil existence experience expresses fact fairy faith fall Faustus feel fiction figure final further give given God's heaven Hell Holy human idea imagery imagination journey Kingsley Land later less Lewis literature live London look lost MacDonald means mind move narrative nature never novel once Paradise pattern Pearl perhaps physical picture Pilgrim's play poem portrays present Progress reality Redcrosse relation seems seen sense significance soul spiritual story suggests supernatural Swedenborg tells things thought true truth turn University Press vision Water-Babies whole writers